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Lost in the Sauce: Barr's DOJ shut down investigations of Trump and admin officials

Welcome to Lost in the Sauce, keeping you caught up on political and legal news that often gets buried in distractions and theater… or a global health crisis.
Housekeeping:

Post-election

On Saturday, Trump announced on Twitter that he has put his personal lawyer Rudy Giuliani in charge of his campaign's long-shot post-election legal challenges. Other people on the team include Joseph diGenova, Victoria Toensing, Sidney Powell, and Jenna Ellis.
  • Giuliani worked with a Russian agent to smear Biden. diGenova and Toensing tried to get the Justice Department to drop charges against corrupt Ukraine oligarch Dmytro Firtash. Powell represents Michael Flynn and champions "deep state" conspiracies. Ellis said gay marriage leads to pedophilia.
NYT: Mr. Trump turned to Mr. Giuliani earlier on Friday in reaction to the latest setback he faced in court, this one relating to votes in Maricopa County, Arizona… A half-dozen other Trump advisers have described Mr. Giuliani’s efforts as counterproductive and said that he was giving the president unwarranted optimism about what could happen… In an Oval Office meeting with aides on Thursday, Mr. Trump put Mr. Giuliani on speakerphone so the others could hear him. He angrily accused the aides of not telling the president the truth
Giuliani’s conspiracy-riddled rant at Four Seasons Total Landscaping was so disastrous that it “scared off many of the lawyers” recruited to argue election-related lawsuits. Politico: “Campaign officials described the episode as disastrous...there are widespread concerns within Trumpworld and GOP circles that Giuliani’s antics are thwarting the president’s legal machinery from within.”
Two major law firms have withdrawn from Trump campaign cases as his legal challenges crumble. Arizona’s largest law firm Snell & Wilmer dumped the RNC and Trump campaign effort to challenge votes in Maricopa County. Porter Wright Morris & Arthur is abandoning Trump’s attempt to block Pennsylvania's popular vote for Joe Biden.
  • In one day (Friday), nine cases meant to attack President-elect Joe Biden's win in key states were denied or dropped - seven in Pennsylvania, one in Arizona, and one in Michigan.
The new federal chief information security officer, Camilo Sandoval, has already taken leave from his day job to participate in a pro-Trump effort to hunt for evidence of voter fraud in the battleground states. The group, Voter Integrity Fund, is a newly formed Virginia-based group that is analyzing ballot data and cold-calling voters. Sandoval was officially appointed on Nov. 4, 2020, but lists his starting date at October on his personal LinkedIn page.
WaPo: Sandoval is part of a hastily convened team led by Matthew Braynard, a data specialist who worked on Trump’s 2016 campaign. Another participant is Thomas Baptiste, an adviser to the deputy secretary of the Interior Department who also took a leave to work on the project. Braynard said in an interview that several other government officials on leave are also assisting the effort, but he declined to identify them.
Media’s role:
  • Facebook Cut Traffic To Leading Liberal Pages Just Before The Election: Liberal page administrators who spoke with BuzzFeed News said that their reach declined by as much as 70%, and still hasn’t recovered.
  • Facebook Live Spread Election Conspiracies And Russian State-Controlled Content Despite Employee Fears: The social network’s live video tool has recommended videos featuring misinformation and the hyperpartisan views of Trump allies leading up to and following election day in the US.
  • In the week after the election, Trump’s postings dominated Facebook, accounting for the 10 most engaged status updates in the United States, and 22 of the top 25. “I WON THIS ELECTION, BY A LOT!” was his top post.
  • YouTube Is Doing Very Little to Stop Election Misinformation From Spreading
  • Social media app Parler receives financial backing from conservative hedge-fund investor Robert Mercer and his daughter Rebekah, The Wall Street Journal reported. Parler turned into a kind of de facto home for conservatives’ protests against the election— including the persistent “Stop the Steal” campaign— after the race was called for former Vice President Joe Biden. Several high-profile conservative social media personalities encouraged people to abandon Twitter and Facebook because of their moderation policies, and instead follow them on Parler.

Transition

Emily Murphy, the head of the General Services Administration, still hasn’t signed the official letter that would allow the incoming Biden team to formally begin the transition. House Democrats are assessing options to force the GSA’s hand, which could include summoning Murphy to the Hill to testify or suing her. “Obviously, Congress could file suit against the GSA administrator for failing to do her duty. We could seek to get a court to, in fact, issue an order
Her ascertainment is the legally necessary precursor to the government’s assistance to the Biden-Harris Presidential Transition Team. It releases $6.3 million dollars to the team, which is funded by public and private money; a loan of expanded federal office space and equipment; access to government agencies that will begin sharing information and records about ongoing activities, plans and vulnerabilities; national security briefings for the president; and other support.
  • The Office of the Director of National Intelligence recently confirmed that it is not providing national security briefings to the president-elect. The Defense Department has also reportedly indicated that it will not meet with the Biden-Harris transition team until Murphy formally affirms the apparent winner.
One of the officials fired in Trump’s latest purge was helping prepare for the transition to the new administration. USAID Deputy Administrator Bonnie Glick was removed abruptly to make way for a Trump loyalist after she had been supportive of transition planning, including the preparation of a 440-page manual for the next administration.
The GSA’s refusal to enact the transition has locked Biden’s team out of crucial Covid-19 pandemic data and government agency contacts. The president-elect’s Covid-19 task force has been trying to work around the federal government by connecting with governors and the health community.
  • The head of Operation Warp Speed, Moncef Slaoui, called on the White House to allow contact with the Biden team, saying “It is a matter of life and death for thousands of people.”
White House’s Office of Management and Budget is considering 145 new regulations and other policy changes they could enact before Biden’s inauguration - rules that will be challenging to undo once they are finalized. Critics and supporters of the administration say they expect a final burst of regulations to be finalized in the weeks before Jan. 20.
The rules under development include policies that the incoming Biden administration would probably oppose, such as new caps on the length of foreign student visas; restrictions on the Environmental Protection Agency’s use of scientific research; limits on the EPA’s consideration of the benefits of regulating air pollutants; and a change that would make it easier for companies to treat workers as independent contractors, rather than employees with more robust wage protections.
Last week, both Secretary of State Mike Pompeo and White House trade adviser Peter Navarro said they’re preparing for a second Trump term. “There will be a smooth transition to a second Trump administration,” Pompeo said during a news conference Tuesday afternoon (clip). Pompeo then doubled down on Fox News (clip). “We are moving forward here at the White House under the assumption there will be a second Trump term,” Navarro said on Fox Business Friday (clip).

DOJ interference

Attorney General William Barr stopped career prosecutors in DOJ’s Public Integrity Section from investigating whether President Trump broke any laws related to his conduct with Ukraine last year. The section was initially given the green light to pursue “a potentially explosive inquiry” into Trump, but after the Senate acquitted the president during impeachment proceedings, Barr sent the case to the U.S. attorney’s office in Brooklyn.
Prosecutors in DOJ’s Public Integrity Section were also prevented from bringing charges against former interior secretary Ryan Zinke by political appointees atop the Justice Department. Deputy Attorney General Jeffrey Rosen told prosecutors that they needed to gather more evidence and refine the case against Zinke for lying to Interior investigators.
  • The investigation into Zinke stemmed from his decision to block two Native American tribes—the Mashantucket Pequot and Mohegan—from opening a casino in Connecticut. Zinke’s office had been lobbied heavily by MGM Resorts International, which had been planning to open its own casino very close to where the tribes intended to break ground.
Sixteen assistant U.S. attorneys specially assigned to monitor malfeasance in the 2020 election urged Barr on Friday to rescind his memo allowing election-fraud investigations before results are certified. "It was developed and announced without consulting non-partisan career professionals in the field and at the Department. Finally, the timing of the Memorandum's release thrusts career prosecutors into partisan politics," the prosecutors wrote.
An internal Justice Department investigation found that federal prosecutors who oversaw a controversial non-prosecution deal with Jeffrey Epstein in 2008 exercised “poor judgment” but did not break the law. “They just say he used poor judgment, and that's their way of basically letting everyone off the hook while offering some sort of an olive branch to the victims that we acknowledge weren't treated perfectly,” said Brad Edwards, who sued the DOJ in 2008 on behalf of Epstein accusers.

Immigration news

Eastern District of New York Judge Nicholas Garaufis (Clinton-appointee) ruled that Chad Wolf was not legally serving as acting Homeland Security secretary when he signed rules limiting DACA program applications and renewals. Therefore, in a win for Dreamers and immigration activists, Garaufis said the changes were invalid.
The judge described an illegitimate shuffling of leadership chairs at the Department of Homeland Security, the agency responsible for immigration enforcement, for the predicament of Wolf's leadership and that of his predecessor, Kevin McAleenan.
"Based on the plain text of the operative order of succession," Garaufis wrote in the Saturday ruling, "neither Mr. McAleenan nor, in turn, Mr. Wolf, possessed statutory authority to serve as Acting Secretary. Therefore the Wolf Memorandum was not an exercise of legal authority."
  • There's a renewed push to get Chad Wolf confirmed as Homeland Security secretary -- a position in which he's been serving in an acting capacity for a yearr -- before Inauguration Day. In the past week, Homeland Security officials spoke to Senate Majority Leader Mitch McConnell's office about bringing the nomination to a floor vote in the coming weeks.
Within the last six months, as the coronavirus pandemic gripped the US, the Trump administration filed 75 lawsuits to seize private land along the US-Mexico border for the border wall." People right now are having to choose between their health and their homes," said Ricky Garza, a staff attorney at the Texas Civil Rights Project, a legal advocacy group.
After a series of price increases, Trump’s border project will cost taxpayers $20 million per mile of border fence. A review of federal spending data shows more than 200 contract modifications, at times awarded within just weeks or months after the original contracts, have increased the cost of the border wall project by billions of dollars since late 2017.
DHS has expelled unaccompanied immigrant children from the US border more than 13,000 times since March, using the coronavirus as an excuse to deny children their right to asylum. Previously, unaccompanied children were sent to government-run shelters as they attempted to pursue their asylum cases.
Migrant children from Central America are being expelled to Mexico, where they have no family connections. The expulsions not only put children in danger - the policy violates a diplomatic agreement with Mexico that only Mexican children and others who had adult supervision could be pushed back into Mexico after attempting to cross the border.
The House Judiciary Committee released a report on the Trump administration’s policy of separating families at the border, revealing that the federal agency that cares for migrant children was not told about the policy. The chaos contributed to the inability to later reunite parents and children.
The Trump administration is trying to deport several women who allege they were mistreated by a Georgia gynecologist at an immigration detention center. Hours after one detained woman spoke to federal investigators about forced hysterectomies at a Georgia detention center, she said ICE told her that it had lifted a hold on her deportation and she faced “imminent” removal. Six former patients who complained about Dr. Mahendra Amin had already been deported.
Northern District of Illinois Judge Gary Feinerman (Obama-appointee) blocked a key Trump administration policy that allowed officials to deny green cards to immigrants who might need public assistance Advocates who had feared that the policy would harm tens of thousands of poor people, particularly those affected by widespread job loss because of the coronavirus pandemic.

Miscellaneous

Microsoft said it has detected attempts by state-backed Russian and North Korean hackers to steal valuable data from leading pharmaceutical companies and vaccine researchers. “Among the targets, the majority are vaccine makers that have COVID-19 vaccines in various stages of clinical trials.”
Two census takers told The AP that their supervisors pressured them to enter false information into a computer system about homes they had not visited so they could close cases during the waning days of the once-a-decade national headcount.
The Supreme Court on Tuesday signaled it’s unlikely to tear down Obamacare over a Republican-backed lawsuit challenging the landmark health care law. Chief Justice John Roberts and Trump appointee Justice Brett Kavanaugh strongly questioned whether the elimination of the mandate penalty made the rest of the law invalid. Kavanaugh appeared to signal on several occasions that he favored leaving the rest of the law intact if the mandate is struck.
Texas Attorney General Ken Paxton (R) was sued last week by four whistleblowers claiming that he abused his office to benefit himself, a woman with whom he was said to have had an affair, and the wealthy donor who employs her before retaliating against the members of his staff who reported him to the FBI.
The Trump administration is rushing plans to auction drilling rights in the U.S. Arctic National Wildlife Refuge before the inauguration of Biden, who has vowed to block oil exploration in the rugged Alaska wilderness. Biden’s efforts could be complicated if the Trump administration sells drilling rights first. Formally issued oil and gas leases on federal land are government contracts that can’t be easily yanked.
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[For Trade] Alina Baraz / Brand New / Clairo / Clams Casino / Goldlink / Skrillex

Hey guys,
Happy new years! Thought I would slide my updated trade stash:
All are sealed, minty fresh. Pictures on request.
I've linked their Discogs info pages as well. All are for TRADE.
If we've talked trades before and couldn't get it to work, but what you want is still available, shoot me another PM and maybe we can try again. I'll try to be flexible if we've talked before!
Send me a message if you're interested in any of them and let me know what's on your trade block, or what's your Discogs @ so I can take a look at your collection and throw out some offers. Thank you!
submitted by nhaseous to VinylCollectors [link] [comments]

Boke and Hitch (redux)

Hitchcock is Bokenkamp’s greatest inspiration as a creator. No question.
We’ve covered a list of nods to Hitchcock we’ve seen in TBL. From time to time I like to drop in some quotes tying JB and Hitch together. That’s all this post is.
I’ve seen a number of references to films JB has been influenced by—Se7en, Silence of the Lambs, Oceans 11, Three Days of the Codor, Marathon Man, etc—but I’m aware of him referring to only two books: one that contains an interview with Hitchcock, and one about Hitchcock, and one he used as a basis for a screenplay. I think this sheds light on what kind of storyteller he is and what his priorities are.
Here are some relevant remarks JB made in a 2017 interview, which I have posted at least once previously, followed by some Hitchcock references (comments by and about) I pulled together recently. The Hitchcock references might strike a familiar note.
BOKENKAMP
“I’m not good at, ‘Ok, so these are the thematics. It’s a story about love and it’s about X’ .... I read in a book where Hitchcock was talking about movies. He said, ‘We develop a hardy plot and themes emerge as we go along.’ And I thought, Oh thank God. Somebody murdered somebody, they’re burying the body. Later you can go back and figure out, Oh, the body is a metaphor for his mother. I can’t think like that. I’m not smart enough to think that way. For me it’s the big moves. For me it’s about 4 big moves. Or 6. Or 2. Whether it’s an episode or a pitch or a script or movie, I find those moves and then fill in the details.”

Q: With Reddington and why he’s in Agent Keen’s life, what are the mythological archetypes?
A: When you say mythology, I really just mean backstory. I mean, who is —
Q: I thought you meant Joseph Campbell sort of —
A: No, I wish. Oh my God. Nah!
Q: — This is the messenger, and here are the different fairy tales that came from ...
Q: No, that feels very English 101. I’m not, I don’t know that stuff. I feel it: Ok, this is a man versus himself story, man versus nature ... I’m sure we tell those kinds of stories. What I mean when I say we go to the mythology, I just mean we dip into the larger backstory of, What’s really going on? In the X-Files: is the truth really out there? Every third of fourth episode they’d go ... Monster show, monster show, and then they’d have an episode: Here’s a story about these two people, and who are they really, what’s going on with them? So that’s kind of what we do. We flip back and forth. No, I wish we were doing full-on Joseph Campbell stuff. That’d be great.

“You’re borrowing pieces [from films you’ve seen] ... you find little touchstones, little signposts that get you excited. That you want to reference - not reference, rip off. Something like, I want to do something like that! ... look, if it’s a heist movie, I don’t know how I don’t think about Oceans 11. If we’re making a heist episode, what were some of the fun moves there? A sequence with all the people coming together and they all have a different role ... and then you try to make it as different and unique as you can.”
HITCHCOCK
Hitchcock: “I’m not concerned with plausibility. Must film be logical when life is not?”
Hitchcock: “Logic is dull.”
Hitchcock: “Plausibility for the sake of plausibility doesn’t help.”
Hitchcock: "To be quite honest, I am not interested in content at all. I don't give a damn what the film is about. I am more interested in how to handle the material to create an emotion in an audience."
Hitchcock: “Then, of course, the cleverness of the device of transvestism. I am aware that I am equipped with what other people have called a fiendish sense of humor.”
Hitchcock: “I could have made up three scenes just to give that woman a reason for being there, but they would have been completely uninteresting ... Let's be logical. If you're going to analyze everything in terms of plausibility and credibility, then no fiction film can stand up to that approach, and you wind up with a documentary ... To insist that a storyteller stick to the facts is just as ridiculous as to demand of a representative painter that he show objects accurately ... we should have total freedom to do as we like, so long as it’s not dull.”
Hitchcock: “If Pyscho had been in tended as a serious picture, it would have been shown as a clinical case with no mystery or suspense. The material would have been used as a documentation of a case history. We have already mentioned that total plausibility and authenticity merley add up to a documentary. In the mystery-and-suspense genre, a tongue-in-cheek approach is indespensible ... you have to go along with the idea that truth is stranger than fiction.”
Francois Truffaut: "In Hitchcock's personal form of cinematic storytelling, suspense ... plays an important role. [It is] the dilation of a span of time, the exaggeration of a pause, the emphasis on all that makes our hearts beat a little harder, a little faster."
New York Times: “Spinning his sophisticated yarns to create maximum tension, Mr. Hitchcock was not concerned with plausibility, which he regarded as no more important than the MacGuffin, the term he used for the device about which his suspense revolved, whether it be the secret or documents or whatever the villains were seeking or trying to protect.”
New York Times: "Detractors accused Mr. Hitchcock of relying on slick tricks, illogical story lines and wild coincidences, but he usually did not allow viewers time to ponder implausibilities because of the whiplike speed of his films."
New York Times: "Detractors acknowledged his technical expertise in entertaining, but faulted his films for lacking substance and significance, for moral opportunism and for being cynical, superficial and glib in their views of human nature."
New York Times: "Hitchcock was one of the cinema's great psychologists, not so much in his handling of character within his films, but in his handling of his audiences' responses: he seemed, in effect, to direct his audiences far more than he directed his films."
New York Times: "He was the great master of shock effects, of lulling audiences into a sense of security before hitting them hardest."
Vanity Fair:
Another myth about Hitchcock is that he was a perfectionist whose films are models of meticulous pre-production, surface plausibility, and narrative coherence. Using his celebrated storyboards (many of which are reprinted in Hitchcock’s Notebooks), he would map out the movie like an extended comic strip. The actual filming would be a faithful transference of his sketchbook to celluloid.
Hitchcock undeniably did his homework, but his homework often had a lot of holes. Reviewing Secret Agent (1936) in the London Spectator, Graham Greene noted such laughable absurdities as “the secret agent who loudly discusses his instructions in front of the hall porter of a Swiss hotel and who brandishes his only clue to a murder in a crowded casino,” and lamented, “How unfortunate it is that Mr. Hitchcock, a clever director, is allowed to produce and even to write his own films, though as a producer he has no sense of continuity and as a writer he has no sense of life.”
Hitchcock’s work was always glitchy. The critic Manny Farber cited “a speeding car in which the only thing moving is Ingrid Bergman’s overteased coiffure” in Notorious (1946); Rope has a scene in which Farley Granger, giving one of the worst performances of anyone’s career as a member of a Leopold-Loeb pair, smashes a glass he’s holding in a moment of fright and soon after sits down at the piano to play, both hands unbandaged (he would have been bleeding all over the keys); and Camille Paglia considered the New England accent of the shopkeeper in The Birds (1963), which is set in Bodega Bay, California, “a major gaffe.” In Hitchcock’s later work—papier-mâché puppetry of Cold War intrigue such as Torn Curtain (1966) and Topaz (1969)—the fakery (rear projections, tacky sets) showed Hitchcock unable to keep up a good front.
Recording such flubs is not to engage in revisionism at Hitchcock’s expense but to place his strengths and flaws in perspective. As Manny Farber wrote, “To put Hitchcock either up or down isn’t the point; the point is sticking to the material as it is, rather than drooling over behind-the-camera feats of engineering.” Hitchcock’s greatness is as a pictorial showman—a creator of billboards—not as a conscientious realist.
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Streak 11: Mon travail est fini pour l’année

Bonsoir à tous,
Après aujourd’hui, je suis en vacances jusqu’au 4 janvier. Je suis content d’être en vacances parce que cette année est trop longue. Le dimanche je vais aller au casino avec mes amis et ma chienne Fifi. On doit porter des masques tout le temps. Fifi ne doit pas porter de masque parce qu’elle ne peut pas attraper le covid. Elle adore le casino. Fifi y est allée beaucoup de fois et s’amuse toujours.
À bientôt!
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"A ce rythme, les soins intensifs seront saturés entre le 5 et le 18 novembre"

Si l'épidémie continue à ce rythme, les lits en soins intensifs seront saturés entre le 5 et le 18 novembre, a averti vendredi Martin Ackermann, chef de la Task Force scientifique Covid-19 de la Confédération, lors d'un point presse de l'OFSP.

Soignant
- Après le Valais, les cantons romands annoncent peu à peu de nouvelles mesures plus strictes pour endiguer la propagation du coronavirus. Le Jura, Fribourg, Neuchâtel, Vaud, Genève et Berne les ont désormais communiquées.
- A Genève, les rassemblements de plus de cinq personnes sur l'espace public sont interdits, tout comme les réunions privées de plus de cinq personnes (enfants de moins de 12 ans non compris). Les établissement publics (restaurants, cafés, bars etc.) seront fermés à 23h.
- Dans le Jura, les bars et restaurants devront fermer à 22h. Les sports d'équipe et de contact sont interdits à l’exception de la pratique à huis-clos à titre professionnel. Les réunions, rassemblements ou manifestations de plus de 15 personnes, enfants compris, sont désormais interdits.
- A Fribourg, les rassemblements de plus de 10 personnes dans l'espace public et privé sont interdits. Les établissements publics comme les bars et restaurants devront fermer à 23h. Les discothèques et cabarets, ainsi que les établissements de loisirs tels que casinos et salles de jeu sont fermés.
- Neuchâtel passe se son côté en alerte rouge, soit l'alerte maximale. Les réunions de plus de 10 personnes sont ainsi interdites dans l'espace privé, alors que les bars et restaurants doivent fermer à 23h.
- Le canton de Vaud se veut moins restrictif: si les rassemblements privés de plus de 10 personnes sont interdits, les bars et restaurants peuvent rester ouverts jusqu'à minuit. Le masque reste obligatoire. Les manifestations de plus de 1000 personnes ne sont plus permises.
- Le canton de Berne interdit les manifestations publiques ou privées réunissant plus de 15 personnes ainsi que les foires et les expositions commerciales, et ferme les bars, clubs, discothèques, musées, cinémas, centres sportifs et fitness. Les restaurants doivent eux fermer à 23h.
- En Valais, tous les lieux de divertissements ont été fermés, des musées aux salles de sport en passant par les cinémas et autres bibliothèques. Les mesures annoncées mercredi sanitaires font grincer des dents. Certains fitness contestent cette décision et vont déposer un recours de droit administratif auprès du tribunal cantonal.
- L'Office fédéral de la santé publique (OFSP) a fait état vendredi de 6634 cas supplémentaires de coronavirus en 24 heures. Dix décès sont à déplorer et 117 malades ont été hospitalisés. Le taux de positivité est de 26,47%, contre 19,80% jeudi.
- L'OFSP recommande toujours de conserver une distance de 1,5 mètre avec les personnes qui ne sont pas du même ménage, de porter un masque dans le cas où cette distance ne peut être maintenue et de respecter les règles d'hygiène.
Suivi assuré par RTSinfo
Source : https://www.rts.ch/info/11697873-a-ce-rythme-les-soins-intensifs-seront-satures-entre-le-5-et-le-18-novembre.html
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Turner Classic Movies (TCM) - The Full U.S. Schedule for October 2020, with Horror film classics and Star of the Month: PETER CUSHING

Thursday - October 1st, 2020

TCM Spotlight: Celebrating 30 Years of the Film Foundation

Friday – October 2nd, 2020

FRIGHT FAVORITES

Saturday – October 3rd, 2020

The ESSENTIALS

Sunday – October 4th, 2020

TCM Birthday Tribute: BUSTER KEATON

Monday – October 5th, 2020

Star of the Month: PETER CUSHING

Tuesday – October 6th, 2020

Wednesday – October 7th, 2020

ANDY GRIFFITH

Thursday – October 8th, 2020

TCM Spotlight: Celebrating 30 Years of the Film Foundation

Friday – October 8th, 2020

FRIGHT FAVORITES

Saturday – October 9th, 2020

The ESSENTIALS: Three of a Kind

Sunday – October 11th, 2020

LEMMON & MATTHAU

Monday – October 12th, 2020

Star of the Month: PETER CUSHING

Tuesday – October 13th, 2020

Wednesday – October 14th, 2020

PRESIDENTIAL BIOPICS

Thursday – October 15th, 2020

TCM Spotlight: Celebrating 30 Years of the Film Foundation

Friday – October 16th, 2020

FRIGHT FAVORITES

Saturday – October 17th, 2020

The ESSENTIALS: Gene Kelly

Sunday – October 18th, 2020

ALMOST LOST

Monday – October 19th, 2020

Star of the Month: PETER CUSHING

Tuesday – October 20th, 2020

Wednesday – October 21st, 2020

SCOUNDRELS & SPITBALLERS

Thursday – October 22nd, 2020

TCM Spotlight: Celebrating 30 Years of the Film Foundation

Friday – October 23rd, 2020

FRIGHT FAVORITES

Saturday – October 24th, 2020

The ESSENTIALS: Jan Sterling

Sunday – October 25th, 2020

VAN HEFLIN

Monday – October 26th, 2020

Star of the Month: PETER CUSHING

Tuesday – October 27th, 2020

Wednesday – October 28th, 2020

ELECTION STORIES

Thursday – October 29th, 2020

TCM Spotlight: Celebrating 30 Years of the Film Foundation

Friday – October 30th, 2020

FRIGHT FAVORITES

Saturday – October 31st, 2020 [HALLOWEN]

The ESSENTIALS: Nuclear Nightmare

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Joey Porter pays Casino Debt. Is released from prison.

Joey Porter pays Casino Debt. Is released from prison. submitted by akipa to FootballAmerica [link] [comments]

Which Director had the best run in the 90s?

Best run in terms of anything
Quentin Tarantino: Pulp Fiction, Jackie Brown, and Reservoir Dogs.
Martin Scorsese: Goodfellas, Casino, Kundun, Cape Fear, The Age of Innocence, and Bringing Out the Dead.
Robert Altman: The Player, Short Cuts, Prêt-à-Porter, Kansas City, The Gingerbread Man, Cookie's Fortune, and Vincent & Theo.
Robert Redford: Quiz Show, The Horse Whisperer, and A River Runs Through It.
The Coen Brothers: Fargo, Miller's Crossing, The Big Lebowski, Barton Fink, and The Hudsucker Proxy.
Wong Kar Wai: Chungking Express, Days of Being Wild, Ashes of Time, Fallen Angels, and Happy Together.
Paul Thomas Anderson: Hard Eight, Boogie Nights, and Magnolia.
David Fincher: Alien 3, Se7en, Fight Club, and The Game.
Francis Ford Coppola: The Godfather 3, The Rainmaker, Jack, and Bram Stoker's Dracula.
Steven Spielberg: Hook, Jurassic Park, The Lost World, Amistad, Schindler's List, and Saving Private Ryan.
Claire Dennis: Beau Travail, No Fear, No Die, I Can't Sleep, and Nénette and Boni.
Richard Linklater: Before Sunrise, Slacker, Dazed and Confused, The Newton Boys, and SubUrbia.
Abbas Kiarostami: Close Up, Taste of Cherry, The Wind Will Carry Us, Life, and Nothing More..., and Through the Olive Trees.
Harold Ramis: Groundhog Day, Analyze This, Stuart Saves His Family, and Multiplicity.
Michael Mann: Heat, The Last of the Mohicans, and The Insider.
Wes Anderson: Bottle Rocket and Rushmore.
Todd Haynes: Safe, Velvet Goldmine, and Poison.
The Wachowskis: The Matrix and Bound.
Emir Kusturica: Underground, Arizona Dream, and Black Cat, White Cat.
Krzysztof Kieślowski: Three Colours Trilogy and Double Life of Veronique
Steven Soderbergh: Out of Sight, Gray's Anatomy, Schizopolis, The Limey, Kafka, King of the Hill, and The Underneath.
Jonathan Demme: Philadelphia, The Silence of the Lambs, and Beloved.
Robert Zemeckis: Forrest Gump, Death Becomes Her, Contact, and Back to the Future Part III.
Zhang Yimou: To Live, Raise the Red Lantern, Not One Less, The Story of Qiu Ju, Ju Dou, Keep Cool, Shanghai Triad, The Road Home, and Zhang Yimou.
Terence Davies: The Long Day Closes and The Neon Bible.
Clint Eastwood: Unforgiven, The Bridges of Madison County, True Crime, Absolute Power, The Rookie, White Hunter Black Heart, In the Line of Fire, and A Perfect World.
Lars Von Trier: Breaking the Waves, Europa, and The Idiots.
Hirokazu Kore-eda: After Life, However..., Lessons from a Calf, August without Him, and Maborosi.
Gus Van Sant: My Own Private Idaho, To Die For, Good Will Hunting, Psycho, and Even Cowgirls Get the Blues.
David Lynch: Lost Highway, The Straight Story, Wild at Heart, and Twin Peaks: Fire Walk with Me.
Amy Heckerling: Clueless and Look Who's Talking Too.
Kathryn Bigelow: Point Blank, Strange Days, and Blue Steel.
Thomas Vinterberg: Festen, Last Round, The Boy Who Walked Backwards, and The Biggest Heroes.
Julie Dash: Daughters of the Dust, Funny Valentines, and Praise House.
Pedro Almodóvar: All About my Mother, Tie Me Up! Tie Me Down!, Live Flesh, High Heels, Kika, and The Flower of My Secret.
Jan De Bont: Speed 1 & 2, Twister, and The Haunting.
Oliver Stone: JFK, Nixon, Heaven & Earth, Natural Born Killers, The Doors, Any Given Sunday, and U Turn.
Rob Reiner: Misery, A Few Good Men, The American President, Ghosts of Mississippi, and The Story of Us.
Paul Verhoeven: Basic Instinct, Showgirls, Total Recall, and Starship Troopers.
Danny Boyle: Trainspotting, Shallow Grave, and A Life Less Ordinary.
Tim Burton: Edward Scissorhands, Ed Wood, The Nightmare Before Christmas, Sleepy Hollow, Batman Returns, and Mars Attacks!.
Ang Lee: Pushing Hands, Sense and Sensibility, The Ice Storm, Eat Drink Man Woman, The Wedding Banquet, and Ride with the Devil.
Jane Campion: The Piano, An Angel at My Table, The Portrait of a Lady, and Holy Smoke!.
Frank Darabont: The Shawshank Redemption and The Green Mile.
Lasse Hallström: What's Eating Gilbert Grape, Once Around, The Cider House Rules, and Something to Talk About.
Jim Jarmusch: Dead Man, Ghost Dog: The Way of the Samurai, Night on Earth, and Year of the Horse.
M. Night Shyamalan: The Sixth Sense, Praying with Anger, and Wide Awake.
Luc Besson: La Femme Nikita, Atlantis, Léon: The Professional, The Fifth Element, and The Messenger: The Story of Joan of Arc.
Alan Parker: The Commitments, Evita, Come See the Paradise, Angela's Ashes, and The Road to Wellville.
Terry Gilliam: The Fisher King, Fear and Loathing in Las Vegas, and 12 Monkeys.
Mike Leigh: Naked, Secrets and Lies, Topsy-Turvy, Life Is Sweet, and Career Girls.
Peter Jackson: Braindead, Heavenly Creatures, Forgotten Silver, and The Frighteners.
Martin Brest: Scent of a Woman, Meet Joe Black, and Josh and S.A.M.
Woody Allen: Everyone Says I Love You, Alice, Shadows and Fog, Husbands and Wives, Manhattan Murder Mystery, Mighty Aphrodite, Celebrity, Sweet and Lowdown, and Deconstructing Harry.
Ridley Scott: Thelma & Louise, G.I. Jane, White Squall, and 1492: Conquest of Paradise.
Bryan Singer: Apt Pupil, The Usual Suspects, and Public Access.
Kenneth Branagh: Othello, Much Ado About Nothing, Hamlet, Mary Shelley's Frankenstein, In the Bleak Midwinter, Dead Again, and Peter's Friends.
Theodoros Angelopoulos: Eternity and a Day, Ulysses' Gaze, and The Suspended Step of the Stork.
Spike Lee: Crooklyn, Malcolm X, Girl 6, Summer of Sam, Get on the Bus, Clockers, He Got Game, Mo' Better Blues, and Jungle Fever.
Radu Mihaileanu: Trahir, Bonjour Antoine, and Train of Life.
Richard Attenborough: Grey Owl, In Love and War, Chaplin, and Shadowlands.
Tony Scott: The Last Boy Scout, True Romance, Crimson Tide, The Fan, Enemy of the State, Days of Thunder, and Revenge.
Eric Rohmer: L'Arbre, le maire et la médiathèque and Les Rendez-vous de Paris.
Jacques Rivette: Up, Down, Fragile, Secret Defense, La Belle Noiseuse, and Joan the Maid.
Edward Yang: A Brighter Summer Day, A Confucian Confusion, and Mahjong.
Michael Haneke: Benny's Video, Funny Games, and 71 Fragments of a Chronology of Chance.
Farrelly brothers: Kingpin, Dumb and Dumber, and There's Something About Mary.
David Cronenberg : Naked Lunch, eXistenZ, Crash, and M. Butterfly.
Takeshi Kitano: Sonatine, Fireworks, Kikujiro and Kid's Return
Alex Cox: El Patrullero, Three Businessmen, The Winner, and Death and the Compass.
Atom Egoyan: Calendar, Exotica, The Sweet Hereafter, Felicia's Journey, and The Adjuster.
Manoel de Oliveira: The Divine Comedy, The Letter, Anxiety, Voyage to the Beginning of the World, Party, A Caixa, Abraham's Valley, The Convent, No, or the Vain Glory of Command, Day of Despair, and The Letter.
Dardenne brothers: Rosetta, Je pense à vous, and La Promesse
Jacques Rivette: La Belle Noiseuse, Top Secret, Up, Down, Fragile, and Joan the Maid.
Kiyoshi Kurosawa: Cure, Charisma, The Guard from Underground, Barren Illusions, and License to Live.
Jafar Panahi: The White Balloon and The Mirror.
Tsai Ming-liang: The River, Vive L'Amour, The Hole, and Rebels of the Neon God.
Hou Hsiao-hsien: The Puppetmaster, Flowers of Shanghai, Good Men, Good Women, and Goodbye South, Goodbye.
Leos Carax: Les Amants du Pont-Neuf, Sans Titre, and Pola X.
John Woo: Hard Boiled, Bullet in the Head, Hard Target, Once a Thief, Face/Off, and Broken Arrow.
Olivier Assayas: Cold Water, A New Life, Irma Vep, Tous les garçons et les filles de leur âge..., Paris Awakens, Cinéma, de notre temps, Alice and Martin, Man Yuk: A Portrait of Maggie Cheung, Late August, Early September, and Filha da Mãe.
Roman Polanski: Bitter Moon, Death and the Maiden, and The Ninth Gate.
Brian De Palma: Carlito’s Way, The Bonfire of the Vanities, Raising Cain, Snake Eyes, and Mission: Impossible.
Werner Herzog: Lessons of Darkness, My Best Fiend, Little Dieter Needs to Fly, and Scream of Stone.
Cameron Crowe: Singles and Jerry Maguire.
Alexander Sokurov: The Stone, Whispering Pages, Mother and Son, Moloch, and The Second Circle.
Mohsen Makhmalbaf: Hello Cinema, Gabbeh, The Silence, The School the Wind Blew Away, Tales of Kish, A Moment of Innocence, Time of Love, Images from the Qajar Period, The Nights of Zayande-rood, Once Upon a Time, Cinema, Actor, and Stone and Glass
Hayao Miyazaki: Princess Mononoke, Porco Rosso, and On Your Mark.
Jean Luc Godard: Nouvelle Vague, JLG/JLG – Self-Portrait in December, New Wave, Hélas pour moi, For Ever Mozart, Germany Year 90 Nine Zero, Les Enfants jouent à la Russie, and Histoire(s) du Cinéma.
Alexander Payne: Election and Citizen Ruth.
James Foley: Glengarry Glen Ross, The Chamber, Two Bits, After Dark, My Sweet, The Corruptor, and Fear.
Whit Stillman: The Last Days of Disco, Metropolitan, and Barcelona.
submitted by Britneyfan456 to criterion [link] [comments]

Turner Classic Movies (U.S.) Schedule for October, 2020 (All times E.S.T.)

Thu, October 1
(12:00am) Up the Down Staircase (1967/2h 4m/Drama/Robert Mulligan)
(2:15am) Our Miss Brooks (1956/1h 25m/Comedy/Al Lewis)
(4:00am) The Corn Is Green (1945/1h 54m/Drama/Irving Rapper)
(6:00am) The Girl He Left Behind (1956/1h 43m/Comedy/David Butler)
(8:00am) Lafayette Escadrille (1958/1h 33m/Romance/ William A. Wellman)
(9:45am) Dondi (1961/1h 20m/Comedy/ Albert Zugsmith)
(11:30am) The Shoes of the Fisherman (1968/2h 42m/Drama/Michael Anderson)
(2:15pm) Ring of Fire (1961/1h 30m/Drama/Andrew L. Stone)
(4:00pm) Twenty Plus Two (1961/1h 42m/Crime/Joseph M. Newman)
(5:45pm) Marooned (1969/2h 13m/Adventure/John Sturges)
(8:00pm) La Strada (1954/1h 55m/Drama/Federico Fellini)
(10:00pm) Two for the Road (1967/1h 52m/Comedy/Stanley Donen)
Fri, October 2
(12:00am) Dodsworth (1936/1h 41m/Romance/William Wyler)
(2:00am) Destry Rides Again (1939/1h 35m/Western/George Marshall)
(3:45am) Black Girl (1966/1h/Drama/Ousmane Sembene)
(5:00am) Robert Osborne's 20th Anniversary Tribute (2015/47m/Documentary/?)
(6:00am) Go West (1940/1h 21m/Comedy/Edward Buzzell)
(7:45am) The Big Store (1941/1h 20m/Comedy/Charles Riesner)
(9:30am) Double Dynamite (1951/1h 20m/Comedy/ Irving Cummings)
(11:00am) A Girl in Every Port (1952/1h 26m/Comedy/Chester Erskine)
(12:30pm) A Day at the Races (1937/1h 45m/Comedy/Sam Wood)
(2:30pm) At the Circus (1939/1h 27m/Comedy/Edward Buzzell)
(4:15pm) A Night at the Opera (1935/1h 36m/Comedy/Sam Wood)
(6:00pm) The Story of Mankind (1957/1h 40m/Drama/Irwin Allen)
(8:00pm) Dracula (1931/1h 14m/HorroTod Browning)
(9:30pm) Cat People (1942/1h 11m/HorroJacques Tourneur)
(11:00pm) House on Haunted Hill (1958/1h 15m/HorroWilliam Castle)
Sat, October 3
(12:30am) The Haunting (1963/1h 52m/Drama/Robert Wise)
(2:30am) The Queen (1968/1h 8m/Documentary/Frank Simon)
(3:45am) Wigstock: The Movie (1995/1h 25m/Documentary/Barry Shils)
(5:15am) The Relaxed Wife (1957/13m/Comedy/?)
(6:00am) Million Dollar Baby (1941/1h 40m/Comedy/Curtis Bernhardt)
(8:00am) MGM CARTOONS: The Peachy Cobbler (1950/6m/Comedy/Fred [Tex] Avery)
(8:08am) Phonies Beware! (1956/8m/Documentary/Larry O'Reilly)
(8:17am) Night Life in Chicago (1948/8m/Documentary/?)
(8:27am) Arctic Fury (1949/1h 1m/Adventure/Norman Dawn)
(9:30am) The Redskins' Revenge (1937/?/Action/?)
(10:00am) POPEYE: Baby Wants a Bottleship (1942/5m/Comedy/Dave Fleischer)
(10:08Am) Safari Drums (1953/1h 11m/Adventure/Ford Beebe)
(11:30am) Alaska Lifeboat (1956/20m/Documentary/ Herbert Morgan)
(12:00pm) The Prince and the Pauper (1937/2h/Adventure/William Keighley)
(2:15pm) Key Largo (1948/1h 41m/Crime/John Huston)
(4:15pm) The Defiant Ones (1958/1h 37m/Drama/Stanley Kramer)
(6:00pm) The Thomas Crown Affair (1968/1h 42m/Drama/Norman Jewison)
(8:00pm) Lawrence of Arabia (1962/3h 46m/Drama/David Lean)
Sun, October 4
(12:00am) Where the Sidewalk Ends (1950/1h 35m/Crime/Otto Preminger)
(2:00am) Across the Wide Missouri (1951/1h 18m/Adventure/William Wellman)
(3:30am) On an Island with You (1948/1h 47m/Comedy/Richard Thorpe)
(5:30am) Inflation (1942/17m/Drama/Cy Endfield)
(6:00am) The Last of Mrs. Cheyney (1937/1h 38m/Comedy/Richard Boleslawski)
(7:45am) Humoresque (1946/2h 3m/Drama/Jean Negulesco)
(10:00am) Where the Sidewalk Ends (1950/1h 35m/Crime/Otto Preminger)
(12:00pm) Mr. Belvedere Goes to College (1949/1h 23m/Comedy/Elliott Nugent)
(1:30pm) The Women (1939/2h 12m/Comedy/George Cukor)
(4:00pm) Bye Bye Birdie (1963/2h/Comedy/George Sidney)
(6:00pm) The Great Buster: A Celebration (2018/1h 43m/Documentary/Peter Bogdanovich)
(8:00pm) Sherlock, Jr. (1924/51m/Comedy/Buster Keaton)
(9:00pm) The General (1927/1h 23m/Comedy/Buster Keaton)
(10:30pm) Steamboat Bill, Jr. (1928/1h 10m/Comedy/Charles F. Reisner)
Mon, October 5
(12:00am) Seven Chances (1925/45m/Comedy/Buster Keaton)
(2:00am) Viridiana (1961/1h 30m/Comedy/Luis Buñuel)
(3:45am) The Exterminating Angel (1962/1h 35m/Comedy/Luis Buñuel)
(5:30am) MGM Parade Show #5 (1955/25m/Documentary/?)
(6:00am) Roberta (1935/1h 25m/Comedy/William A. Seiter)
(8:00am) Fashions of 1934 (1934/1h 18m/Drama/William Dieterle)
(9:30am) Stolen Holiday (1937/1h 20m/Romance/Michael Curtiz)
(11:00am) Designing Woman (1957/1h 58m/Comedy/Vincente Minnelli)
(1:00pm) Made in Paris (1966/1h 43m/Comedy/Boris Sagal)
(2:45pm) A Place for Lovers (1969/1h 28m/Romance/ Vittorio De Sica)
(4:30pm) Blood and Black Lace (1964/1h 25m/HorroMario Bava)
(6:00pm) Lured (1947/1h 42m/Crime/Douglas Sirk)
(8:00pm) Cash on Demand (1961/1h 24m/Drama/Quentin Lawrence)
(9:30pm) The End of the Affair (1955/1h 46m/Romance/Edward Dmytryk)
(11:30pm) Time Without Pity (1957/1h 28m/Drama/Joseph Losey)
Tue, October 6
(1:15am) John Paul Jones (1959/2h 6m/Action/John Farrow)
(3:30am) Hamlet (1948/2h 35m/Drama/Laurence Olivier)
(6:15am) A Chump at Oxford (1940/1h 3m/Comedy/Alfred Goulding)
(7:30am) Vigil in the Night (1940/1h 36m/Romance/George Stevens)
(9:15am) The Gay Bride (1934/1h 20m/Comedy/Jack Conway)
(10:45am) Swing High, Swing Low (1937/1h 37m/Comedy/Mitchell Leisen)
(12:15pm) Love Before Breakfast (1936/1h 10m/Comedy/Walter Lang)
(1:30pm) Nothing Sacred (1937/1h 15m/Comedy/William A. Wellman)
(3:00pm) Mr. and Mrs. Smith (1941/1h 29m/Comedy/Alfred Hitchcock)
(4:45pm) To Be or Not to Be (1942/1h 39m/Comedy/Ernst Lubitsch)
(6:30pm) The Golden Age of Comedy (1957/1h 19m/Comedy/Robert Youngson)
(8:00pm) Women Make Film: A New Road Movie Through Cinema 06 (2019/Documentary/Mark Cousins)
(9:15pm) The Ascent (1977/1h 45m/Drama/Larisa Sheptiko)
(11:15pm) Women Make Film: A New Road Movie Through Cinema 06 (2019/Documentary/Mark Cousins)
Wed, October 7
(12:30am) Meek's Cutoff (2010/1h 44m/Drama/Kelly Reichardt)
(2:30am) Cameraperson (2016/1h 42m/Documentary/Kirsten Johnson)
(4:30am) Daisies (1966/1h 14m/Comedy/Vera Chytilová)
(6:00am) Meshes of the Afternoon (1944/13m/Short/Maya Deren)
(6:30am) Angry Inuk (2016/1h 25m/Documentary/Alethea Arnaquq-Baril)
(8:00am) The Erl King (1931/1h 10m/Drama/Marie-Louise Iribe)
(9:15am) The Journey (1959/2h 3m/Romance/Anatole Litvak)
(11:30am) The Squall (1929/1h 42m/Drama/Alexander Korda)
(1:30pm) Beautiful Budapest (1938/8m/Documentary?)
(1:45pm) Rural Hungary (1939/9m/Documentary/James A. Fitzpatrick)
(2:00pm) Fight for Your Lady (1938/1h 6m/Comedy/Ben Stoloff)
(3:15pm) Storm at Daybreak (1933/1h 18m/Drama/Richard Boleslavsky)
(4:45pm) The Shop Around the Corner (1940/1h 37m/Comedy/Ernst Lubitsch)
(6:30pm) One Heavenly Night (1930/1h 20m/Musical/Geo. Fitzmaurice)
(8:00pm) No Time for Sergeants (1958/1h 59m/Comedy/Mervyn Leroy)
(10:15pm) A Face in the Crowd (1957/2h 6m/Drama/Elia Kazan)
Thu, October 8
(12:30am) Hearts of the West (1975/1h 43m/Comedy/ Howard Zieff)
(2:30am) Onionhead (1958/1h 50m/Comedy/Norman Taurog)
(4:30am) Thunder Afloat (1939/1h 35m/Comedy/George B. Seitz)
(6:15am) The Public Enemy (1931/1h 14m/Drama/William A. Wellman )
(8:15am) Red-Headed Woman (1932/1h 14m/Comedy/Jack Conway)
(9:45am) Dinner at Eight (1933/1h 53m/Comedy/George Cukor)
(11:45am) Saratoga (1937/1h 34m/Comedy/Jack Conway)
(1:30pm) Hold Your Man (1933/1h 29m/Romance/Sam Wood)
(3:15pm) Red Dust (1932/1h 19m/Romance/Victor Fleming)
(4:45pm) Personal Property (1937/1h 24m/Comedy/W. S. Van Dyke II)
(6:15pm) Bombshell (1933/1h 31m/Comedy/Victor Fleming)
(8:00pm) The Front Page (1931/1h 41m/Comedy/Lewis Milestone)
(10:00pm) Detour (1945/1h 8m/Drama/Edgar G. Ulmer)
(11:30pm) The Man with the Golden Arm (1956/1h 59m/Drama/Otto Preminger)
Fri, October 9
(1:45am) Love Affair (1939/1h 27m/Romance/Leo McCarey)
(3:30am) A Brighter Summer Day (1991/3h 5m/Drama/Edward Yang)
(7:00am) Alice in Movieland (1940/21m/Drama/Jean Negulesco)
(7:45am) Nora Prentiss (1947/1h 51m/Drama/Vincent Sherman)
(9:45am) Born to Kill (1947/1h 32m/Drama/Robert Wise)
(11:30am) Dark Passage (1947/1h 46m/Drama/Delmer Daves)
(1:30pm) Out of the Past (1947/1h 37m/Crime/Jacques Tourneur)
(3:15pm) Race Street (1948/1h 19m/Drama/Edwin L. Marin)
(4:45pm) Impact (1949/1h 51m/Drama/Arthur Lubin)
(6:45pm) The Woman on Pier 13 (1950/1h 13m/Drama/Robert Stevenson)
(8:00pm) The Ghoul (1933/1h 17m/HorroT. Hayes Hunter)
(9:30pm) The Black Sleep (1956/1h 21m/HorroReginald Leborg)
(11:00pm) Mark of the Vampire (1935/1h 1m/HorroTod Browning)
Sat, October 10
(12:15am) Night of the Living Dead (1968/1h 36m/HorroGeorge A. Romero)
(2:00am) White Lightning (1973/1h 41m/Drama/Joseph Sargent)
(3:45am) Gator (1976/1h 55m/Comedy/Burt Reynolds)
(5:45am) The Corvair In Action! (1960/6m/Documentary/?)
(6:00am) The Opposite Sex (1956/1h 57m/Comedy/David Miller)
(8:00am) MGM CARTOONS: Red Hot Riding Hood (1943/7m/Comedy/Fred [‘Tex’[ Avery)
(8:09am) Fortune Seekers (1956/8m/Documentary/Larry O'Reilly)
(8:18am) Historic Maryland (1941/8m/Documentary/?)
(8:27am) Men of the North (1930/1h 1m/Drama/Hal Roach)
(9:30am) The Brink of Doom (1937/?/Action/?)
(10:00am) POPEYE: Alona the Sarong Seas (1942/Comedy/Dave Fleischer)
(10:08am) Bomba In The Golden Idol (1954/1h 10m/Adventure/?)
(11:30am) King of the Islands (1935/17m/Comedy/Ralph Staub)
(12:00pm) Tarzan, the Ape Man (1932/1h 39m/Adventure/W. S. Van Dyke)
(2:00pm) Lili (1953/1h 21m/Romance/Charles Walters)
(3:30pm) Casino Royale (1967/2h 11m/Comedy/John Huston, et. al.)
(6:00pm) Top Hat (1935/1h 45m/Comedy/Mark Sandrich)
(8:00pm) Gunga Din (1939/1h 57m/Adventure/George Stevens)
(10:15pm) The Three Musketeers (1948/2h 5m/Drama/George Sidney)
Sun, October 11
(12:30am) The Racket (1951/1h 28m/Crime/John Cromwell)
(2:30am) Bananas (1971/1h 21m/Comedy/Woody Allen)
(4:00am) Hannah and Her Sisters (1986/1h 46m/Comedy/Woody Allen)
(6:00am) A Midsummer Night's Dream (1935/2h 12m/Comedy/Max Reinhardt)
(8:30am) Journey for Margaret (1942/1h 21m/Drama/Major W. S. Van Dyke II)
(10:00am) The Racket (1951/1h 28m/Crime/John Cromwell)
(12:00pm) Sounder (1972/1h 45m/Drama/Martin Ritt)
(2:00pm) The Secret Garden (1949/1h 32m/Drama/Fred M. Wilcox)
(3:45pm) The Catered Affair (1956/1h 33m/Comedy/Richard Brooks)
(5:30pm) Flower Drum Song (1961/2h 13m/Comedy/Henry Koster)
(8:00pm) The Front Page (1974/1h 45m/Comedy/Billy Wilder)
(10:00pm) The Odd Couple (1968/1h 45m/Comedy/Gene Saks)
Mon, October 12
(12:00am) Sidewalk Stories (1989/1h 37m/Comedy/Charles Lane)
(2:00am) The Firemen's Ball (1967/1h 13m/Comedy/Miloš Forman)
(3:30am) All My Good Countrymen (1968/2h 6m/Comedy/Vojtěch Jasný)
(6:00am) The Reptile (1966/1h 30m/HorroJohn Gilling)
(7:45am) The Killer Shrews (1959/1h 9m/HorroRay Kellogg)
(9:00am) King Kong (1933/1h 40m/Adventure/Merian C. Cooper and Ernest B. Shoedsack)
(11:00am) The Beast from 20,000 Fathoms (1953/1h 20m/HorroEugène Lourié)
(12:30pm) Gojira (1954/1h 19m/Drama/Ishirô Honda)
(2:00pm) Creature from the Black Lagoon (1954/1h 19m/HorroJack Arnold)
(3:30pm) Creature From the Haunted Sea (1961/1h/Comedy/Roger Corman)
(4:45pm) The Green Slime (1969/1h 30m/HorroKinji Fukasaku)
(6:30pm) Night of the Lepus (1972/1h 28m/Comedy/William F. Claxton)
(8:00pm) Sword of Sherwood Forest (1960/1h 20m/Adventure/Terence Fisher)
(9:30pm) Dr. Who and the Daleks (1965/1h 25m/Sci-Fi/Gordon Flemyng)
(11:00pm) Daleks' Invasion Earth: 2150 A. D. (1966/1h 21m/Sci-Fi/Gordon Flemyng)
Tue, October 13
(12:30am) She (1965/1h 44m/Drama/Robert Day)
(2:30am) Violent Playground (1958/1h 48m/Drama/Basil Dearden)
(4:30am) Corruption (1967/1h 31m/HorroRobert Hartford-Davis)
(6:00am) Devotion (1931/1h 10m/Drama/Robert Milton)
(7:30am) The Runaway Bus (1954/1h 18m/Comedy/Val Guest)
(9:00am) The Solitaire Man (1933/1h 7m/Comedy/Jack Conway)
(10:30am) Blind Adventure (1933/1h 5m/Crime/Ernest B. Schoedsack)
(11:45am) Double Trouble (1967/1h 30m/Romance/Norman Taurog)
(1:30pm) A Warm December (1972/1h 39m/Romance/Sidney Poitier)
(3:30pm) The V.I.P.s (1963/1h 59m/Drama/Anthony Asquith)
(5:45pm) The Prince and the Showgirl (1957/1h 57m/Comedy/Laurence Olivier)
(8:00pm) Women Make Film: A New Road Movie Through Cinema 07 (2019/Documentary/Mark Cousins)
(9:15pm) Dogfight (1991/1h 34m/Drama/Nancy Savoca)
(11:00pm) Women Make Film: A New Road Movie Through Cinema 07 (2019/Mark Cousins)
Wed, October 14
(12:15am) Rafiki (2018/1h 23m/Drama/Wanuri Kahiu)
(2:30am) First Love (1977/1h 31m/Romance/Joan Darling)
(2:00am) The House Is Black (1963/21m/Documentary/Forugh Farrokhzad)
(4:15am) The Night Porter (1974/1h 55m/Drama/Liliana Cavani)
(6:30am) Le Bonheur (1965/1h 27m/Romance/Agnes Varda)
(8:15am) Danzon (1991/1h 43m/Dance/Maria Novaro)
(10:15am) The Unholy Three (1925/1h 26m/Drama/Tod Browning)
(12:00pm) The Unknown (1927/1h 1m/Drama/Tod Browning)
(1:00pm) The Blackbird (1926/1h 26m/Comedy/Tod Browning)
(2:30pm) The Thirteenth Chair (1929/1h 12m/Crime/Tod Browning)
(4:00pm) Freaks (1932/1h 30m/HorroTod Browning)
(5:15pm) Mark of the Vampire (1935/1h 1m/HorroTod Browning)
(6:30pm) The Devil-Doll (1936/1h 19m/HorroTod Browning)
(8:00pm) Abe Lincoln in Illinois (1940/1h 50m/Biography/John Cromwell)
(10:00pm) Sunrise at Campobello (1960/2h 23m/Drama/Vincent J. Donehue)
Thu, October 15
(12:45am) PT 109 (1963/2h 20m/Drama/Leslie H. Martinson)
(3:15am) 1776 (1972/2h 21m/Comedy/Peter H. Hunt)
(6:00am) Three Men on a Horse (1936/1h 28m/Comedy/Mervyn Leroy)
(7:30am) Unholy Partners (1941/1h 34m/Drama/Mervyn Leroy)
(9:15am) Sweet Adeline (1935/1h 27m/Romance/Mervyn Le Roy)
(11:00am) Happiness Ahead (1934/1h 26m/Comedy/Mervyn Le Roy)
(12:30pm) Big City Blues (1932/1h 5m/Drama/Mervyn Leroy)
(1:45pm) The Bad Seed (1956/2h 9m/HorroMervyn Leroy)
(4:00pm) They Won't Forget (1937/1h 30m/Drama/Mervyn Leroy)
(5:45pm) Random Harvest (1942/2h 4m/Romance/Mervyn Leroy)
(8:00pm) Tunes of Glory (1960/1h 45m/Drama/Ronald Neame)
(10:00pm) The Life and Death of Colonel Blimp (1943/2h 43m/Romance/Michael Powell)
Fri, October 16
(1:00am) The Seventh Cross (1944/1h 50m/Drama/Fred Zinnemann)
(3:00am) The Diary of Anne Frank (1959/2h 50m/Drama/George Stevens)
(6:15am) Trances (1981/1h 32m/Documentary/Ahmed El Maanouni)
(8:00am) The Little Shop of Horrors (1960/1h 10m/Comedy/Roger Corman)
(9:15am) Village of the Damned (1960/1h 17m/HorroWolf Rilla)
(10:45am) The Brain That Wouldn't Die (1962/1h 21m/HorroJoseph Green)
(12:15pm) Carnival of Souls (1962/1h 20m/HorroHerk Harvey)
(1:45pm) Dementia 13 (1963/1h 21m/HorroFrancis Ford Coppola)
(3:15pm) The Raven (1963/1h 26m/Comedy/Roger Corman)
(4:45pm) Spider Baby (1964/1h 20m/HorroJack Hill)
(6:15pm) The Nanny (1965/1h 33m/Drama/Seth Holt)
(8:00pm) Dead of Night (1945/1h 44m/HorroAlberto Cavalcanti, et. al.)
(10:00pm) Twice Told Tales (1963/1h 59m/HorroSidney Salkow)
Sat, October 17
(12:15am) Black Sabbath (1963/1h 40m/HorroMario Bava)
(2:00am) Enter the Ninja (1981/1h 39m/Action/Emmett Alston)
(3:45am) Revenge Of The Ninja (1983/1h 28m/Action/Sam Firstenberg)
(5:30am) Shake Hands With Danger (1970/23m/Documentary/Charles Oldfather, John Clifford and Herk Harvey)
(6:00am) The Password Is Courage (1962/1h 56m/Comedy/Andrew L. Stone)
(8:00am) MGM CARTOONS: Sheep Wrecked (1958/6m/Comedy/?)
(8:08am) Cave Explorers (1957/8m/Documentary/Heinz Scheiderbauer)
(8:17am) The Capital City Washington, D.C. (1940/8m/Documentary/?)
(8:27am) She Loved a Fireman (1937/57m/Drama/John Farrow)
(9:30am) The Indians Are Coming (1937/Action/?)
(10:00am) POPEYE: A Hull of a Mess (1942/6m/Comedy/Dave Fleischer)
(10:08am) Lord of the Jungle (1955/1h 9m/Adventure/Ford Beebe)
(11:30am) Kissing Time (1933/21m/Romance/Roy Mack)
(12:00pm) Angel and the Badman (1947/1h 40m/Romance/James Edward Grant)
(1:45pm) Captain Horatio Hornblower (1951/1h 57m/Adventure/Raoul Walsh)
(4:00pm) Support Your Local Sheriff! (1969/1h 32m/Comedy/Burt Kennedy)
(5:45pm) Rollerball (1975/2h 9m/Action/Norman Jewison)
(8:00pm) Singin' in the Rain (1952/1h 43m/Comedy/Gene Kelly)
(10:00pm) Summer Stock (1950/1h 49m/Musical/Charles Walters)
Sun, October 18
(12:00am) Destination Murder (1950/1h 12m/Crime/Edward L. Cahn)
(1:45am) The Fearless Vampire Killers; or, Pardon Me but Your Teeth Are in My Neck (1966/1h 38m/HorroRoman Polanski)
(3:45am) House of Dark Shadows (1970/1h 37m/HorroDan Curtis)
(5:30am) Return to Glennascaul (1953/23m/HorroHilton Edwards)
(6:00am) The Life of Emile Zola (1937/2h 3m/Drama/William Dieterle)
(8:15am) His Girl Friday (1940/1h 32m/Comedy/Howard Hawks)
(10:00am) Destination Murder (1950/1h 12m/Crime/Edward L. Cahn)
(11:45am) The Good Earth (1937/2h 18m/Drama/Sidney Franklin)
(2:15pm) Written on the Wind (1957/1h 32m/Drama/Douglas Sirk)
(4:00pm) Dear Heart (1964/1h 54m/Comedy/Delbert Mann)
(6:00pm) Peggy Sue Got Married (1986/1h 45m/Comedy/Francis Ford Coppola)
(8:00pm) Cane River (1982/1h 30m/Drama/
(10:00pm) Losing Ground (1982/1h 26m/Comedy/Kathleen Collins)
Mon, October 19
(12:00am) Exit Smiling (1926/1h 12m/Comedy/Sam Taylor)
(2:00am) I am Waiting (1957/1h 30m/Drama/Koreyoshi Kurahara)
(3:45am) A Colt Is My Passport (1967/Drama/Takashi Nomura)
(5:30am) MGM Parade Show #5 (1955/ 25m/Documentary/?)
(6:00am) I Married a Witch (1942/ 1h 16m/Comedy/René Clair)
(7:30am) Mr. and Mrs. Smith (1941/1h 29m/Comedy/Alfred Hitchcock)
(9:15am) Touch of Evil (1958/1h 35m/Crime/Orson Welles)
(11:30am) Mogambo (1953/1h 55m/Romance/John Ford)
(1:45pm) North by Northwest (1959/2h 16m/Adventure/Alfred Hitchcock)
(4:15pm) In a Lonely Place (1950/1h 31m/Drama/Nicholas Ray)
(6:00pm) Any Number Can Play (1949/1h 52m/Drama/Mervyn Leroy)
(8:00pm) The Hound of the Baskervilles (1959/1h 24m/Mystery/Terence Fisher)
(9:30pm) Horror of Dracula (1958/1h 21m/HorroTerence Fisher)
(11:15pm) The Mummy (1959/1h 26m/HorroTerence Fisher)
Tue, October 20
(1:00am) The Curse of Frankenstein (1957/1h 22m/HorroTerence Fisher)
(2:45am) Frankenstein Created Woman (1967/1h 32m/HorroTerence Fisher)
(4:30am) Frankenstein Must Be Destroyed (1970/1h 37m/HorroTerence Fisher)
(6:15am) Front Page Woman (1935/1h 22m/Comedy/Michael Curtiz)
(7:45am) Wife Vs. Secretary (1936/1h 28m/Comedy/Clarence Brown)
(9:30am) Mr. & Mrs. North (1941/1h 7m/Comedy/Robert B. Sinclair)
(10:45am) Theodora Goes Wild (1936/1h 35m/Comedy/Richard Boleslawski)
(12:30pm) Breakfast for Two (1937/1h 5m/Comedy/Alfred Santell)
(1:45pm) Four's a Crowd (1938/1h 31m/Comedy/Michael Curtiz)
(3:30pm) It's a Wonderful World (1939/1h 26m/Comedy/W. S. Van Dyke II)
(5:00pm) Fools for Scandal (1938/1h 21m/Comedy/Mervyn Le Roy)
(6:30pm) Love on the Run (1936/1h 20m/Comedy/W. S. Van Dyke II)
(8:00pm) Women Make Film: A New Road Movie Through Cinema 08 (2019/Documentary/ Mark Cousins)
(9:15pm) Tomka and His Friends (1977/Drama/Xhanfise Keko
(10:45pm) Women Make Film: A New Road Movie Through Cinema 08 (2019/Mark Cousins)
Wed, October 21
(12:00am) Stop-Loss (2008/1h 52m/Drama/Kimberly Peirce)
(2:00am) The Third Miracle (1999/1h 59m/Adaptation/Agnieszka Holland)
(4:15am) Madeinusa (2006/2h 2m/Drama/Claudia Llosa)
(6:00am) Corpo Celeste (2011/1h 40m/Drama/Alice Rohrwacher)
(7:45am) The Birth, the Life and the Death of Christ (1906/34m/Short/Alice Guy-Blache)
(8:30am) Araya (1959/1h 22m/Documentary/Margot Benacerraf)
(10:00am) Children Of A Lesser God (1986/1h 50m/Romance/Randa Raines)
(12:15pm) Young Dr. Kildare (1938/1h 7m/Comedy/ Harold S. Bucquet)
(1:45pm) Calling Dr. Kildare (1939/1h 26m/Drama/Harold S. Bucquet)
(3:30pm) The Secret of Dr. Kildare (1939/1h 24m/Drama/Harold S. Bucquet)
(5:00pm) Dr. Kildare Goes Home (1940/1h 18m/Drama/Harold S. Bucquet)
(6:30pm) Dr. Kildare's Crisis (1940/1h 15m/Drama/Harold S. Bucquet)
(8:00pm) Hard to Handle (1933/1h 15m/Comedy/Mervyn Leroy)
(9:30pm) Beast of the City (1932/1h 27m/Drama/Charles Brabin)
(11:15pm) They Live by Night (1948/1h 35m/Drama/Nicholas Ray)
Thu, October 22
(1:00am) One Way Passage (1932/1h 9m/Romance/Tay Garnett)
(2:30am) The Prisoner of Zenda (1952/1h 41m/Romance/Richard Thorpe)
(4:15am) Green Fire (1955/1h 40m/Romance/Andrew Marton)
(6:00am) Three Faces East (1930/1h 11m/Spy/Roy Del Ruth)
(7:30am) Born to Love (1932/1h 24m/Drama/Paul L. Stein)
(9:00am) The Common Law (1932/1h 15m/Comedy/Paul L. Stein)
(10:30am) Rockabye (1932/1h 7m/Drama/George Cukor)
(11:45am) Bed of Roses (1933/1h 7m/Comedy/Gregory Lacava)
(1:00pm) Our Betters (1933/1h 23m/Comedy/George Cukor)
(2:30pm) Topper (1937/1h 37m/Comedy/Norman Z. McLeod)
(4:15pm) Topper Takes a Trip (1939/1h 25m/Comedy/Norman Z. McLeod)
(5:45pm) Merrily We Live (1938/1h 30m/Comedy/Norman Z. McLeod)
(7:30pm) MGM Parade Show #5 (1955/25m/Documentary/?)
(8:00pm) The Killers (1964/1h 37m/Crime/Donald Siegel)
(9:45pm) The Breaking Point (1950/1h 37m/Romance/Michael Curtiz)
(11:30pm) Mystery of the Wax Museum (1933/1h 12m/HorroMichael Curtiz)
Fri, October 23
(1:00am) Night of the Living Dead (1968/1h 36m/HorroGeorge A. Romero)
(3:00am) A River Called Titash (1973/2h 39m/Drama/Ritwik Ghatak)
(6:00am) Inside Straight (1951/1h 29m/Drama/Gerald Mayer)
(7:30am) Absolute Quiet (1936/1h 7m/Drama/George B. Seitz)
(8:45am) Chain Lightning (1950/1h 34m/Drama/Stuart Heisler)
(10:30am) Tycoon (1947/2h 8m/Romance/Richard Wallace)
(12:45pm) No Marriage Ties (1933/1h 5m/Drama/J. Walter Ruben)
(2:00pm) Death of a Scoundrel (1956/1h 59m/Comedy/Charles Martin)
(4:15pm) Assignment To Kill (1968/1h 42m/Drama/Sheldon Reynolds)
(6:00pm) The Drowning Pool (1975/1h 46m/Crime/Stuart Rosenberg)
(8:00pm) Creature from the Black Lagoon (1954/1h 19m/HorroJack Arnold)
(9:30pm) The Blob (1958/1h 25m/HorroIrvin S. Yeaworth Jr.)
(11:00pm) The Tingler (1959/1h 20m/HorroWilliam Castle)
Sat, October 24
(12:45am) The Thing from Another World (1951/1h 27m/HorroChristian Nyby)
(2:30am) Ninja III--The Domination (1984/1h 35m/Action/Sam Firstenberg)
(4:15am) Heavenly Bodies (1985/1h 29m/Comedy/Lawrence Dane)
(6:00am) Please Don't Eat the Daisies (1960/1h 51m/Comedy/Charles Walters)
(8:00am) MGM CARTOONS: One Cab's Family (1938/7m/Comedy/Fred [Tex] Avery)
(8:09am) Black Cats and Broomsticks (1955/8m/Documentary/Larry O'Reilly)
(8:18am) Wandering Here and There (1944/8m/Documentary/James A. Fitzpatrick)
(8:28am) King of the Lumberjacks (1940/58m/Romance/ William Clemens)
(9:30am) The Leap for Life (1937/Action/?)
(10:00am) POPEYE: Cartoons Ain't Human (1943/7m/Comedy/Dave Fleischer)
(10:09am) Tarzan and the Amazons (19451h 16m/Adventure/Kurt Neumann)
(11:30am) The Flame Song (1934/21m/Romance/Joseph Henabery)
(12:00pm) Harper (1966/2h 1m/Drama/Jack Smight)
(2:15pm) Brainstorm (1983/1h 46m/Drama/Douglas Trumbull)
(4:15pm) Men of the Fighting Lady (1954/1h 20m/Drama/Andrew Marton)
(5:45pm) Citizen Kane (1941/1h 59m/Drama/Orson Welles)
(8:00pm) Ace in the Hole (1951/1h 59m/Drama/Billy Wilder)
(10:15pm) Flesh and Fury (1952/1h 22m/Drama/Joseph Pevney)
Sun, October 25
(12:00am) Macao (1952/1h 20m/Adventure/Josef Von Sternberg)
(1:45am) The Werewolf (1956/1h 23m/HorroFred F. Sears)
(3:15am) The Howling (1981/1h 30m/HorroJoe Dante)
(5:00am) The Mummy (1932/1h 12m/HorroKarl Freund)
(6:15am) Murder on the Blackboard (1934/1h 11m/Comedy/George Archainbaud)
(7:30am) All This, and Heaven Too (1940/2h 23m/Romance/Anatole Litvak)
(10:00am) Macao (1952/1h 20m/Adventure/Josef Von Sternberg)
(12:00pm) The White Cliffs of Dover (1944/2h 6m/Romance/Clarence Brown)
(2:15pm) Around the World in 80 Days (1956/2h 50m/Adventure/Michael Anderson)
(5:30pm) What Ever Happened to Baby Jane? (1962/2h 12m/Drama/Robert Aldrich)
(8:00pm) 3:10 to Yuma (1957/1h 32m/Drama/Delmer Daves)
(10:00pm) Gunman's Walk (1958/1h 37m/Drama/Phil Karlson)
Mon, October 26
(12:00am) Häxan (1922/1h 46m/HorroBenjamin Christensen)
(2:00am) Diabolique (1955/1h 47m/HorroHenri-Georges Clouzot)
(4:15am) Eyes Without a Face (1959/1h 28m/HorroGeorges Franju)
(6:00am) The Beast with Five Fingers (1946/1h 28m/Drama/Robert Florey)
(7:45am) Mara Maru (1952/1h 38m/Adventure/Gordon Douglas)
(9:30am) They Won't Believe Me (1947/1h 35m/Drama/Irving Pichel)
(11:15am) Where Danger Lives (1950/1h 24m/Crime/John Farrow)
(1:00pm) Fingers at the Window (1942/1h 20m/Mystery/Charles Lederer)
(2:30pm) Footsteps in the Dark (1941/1h 36m/Comedy/Lloyd Bacon)
(4:15pm) Kill or Cure (1962/1h 28m/Comedy/George Pollock)
(6:00pm) The Gazebo (1960/1h 40m/Comedy/George Marshall)
(8:00pm) Nothing But the Night (1972/1h 30m/HorroPeter Sasdy)
(9:45pm) Madhouse (1974/1h 29m/HorroJames Clark)
(11:30pm) From Beyond the Grave (1973/1h 37m/HorroKevin Connor)
Tue, October 27
(1:30am) Scream and Scream Again (1970/1h 34m/HorroGordon Hessler)
(3:15am) The Satanic Rites of Dracula (1973/1h 28m/HorroAlan Gibson)
(4:45am) Dracula A.D. 1972 (1972/1h 40m/HorroAlan Gibson)
(6:30am) Somewhere in Sonora (1933/59m/Western/Mack V. Wright)
(7:45am) Along the Rio Grande (1941/1h 4m/Western/Edward Killy)
(9:00am) Valley of the Sun (1942/1h 24m/Western/George Marshall)
(10:30am) Sagebrush Trail (1933/58m/Western/Armand Schaefer)
(11:30am) Devil's Canyon (1953/1h 32m/Drama/Alfred Werker)
(1:15pm) The Hired Gun (1957/1h 3m/Adventure/Ray Nazarro)
(2:30pm) Black Patch (1957/1h 22m/Western/Allen H. Miner)
(4:00pm) Virginia City (1940/2h 1m/Western/Michael Curtiz)
(6:15pm) Escape from Fort Bravo (1953/1h 38m/Drama/John Sturges)
(8:00pm) Women Make Film: A New Road Movie Through Cinema 09 (2019/Documentary/Mark Cousins)
(9:15pm) Fjols til fjells (1957/1h 30 m/Comedy/Edith Carlmar)
(11:00pm) Women Make Film: A New Road Movie Through Cinema 09 (2019/Documentary/Mark Cousins)
Wed, October 28
(12:15am) Girlfriends (1978/1h 26m/Comedy/Claudia Weill)
(2:00am) The Connection (1962/1h 43m/Drama/Shirley Clarke)
(4:00am) Lost in Yonkers (1993/1h 54m/Comedy/Martha Coolidge)
(6:00am) Party Girl (1994/1h 34m/Comedy/Daisy Von Scherler Mayer)
(7:45am) Mabel's Strange Predicament (1914/Comedy/Mabel Normand)
(8:15am) Foreign Letters (2012/1h 40m/Biography/Ela Their)
(10:00am) Winter Meeting (1948/1h 44m/Drama/Bretaigne Windust)
(12:00pm) I Know Where I'm Going (1945/1h 32m/Comedy/Michael Powell)
(1:45pm) The Enchanted Cottage (1945/1h 31m/Romance/John Cromwell)
(3:30pm) Random Harvest (1942/2h 4m/Romance/Mervyn Leroy)
(6:00pm) Desire Me (1947/1h 31m/Drama/George Cukor)
(8:00pm) The Best Man (1964/1h 42m/Drama/Franklin J. Schaffner)
(10:00pm) The Last Hurrah (1958/2h 1m/Drama/John Ford)
Thu, October 29
(12:15am) The Great McGinty (1940/1h 22m/Comedy/Preston Sturges)
(2:00am) The Candidate (1972/1h 49m/Drama/Michael Ritchie)
(4:00am) All the King's Men (1949/1h 49m/Drama/Robert Rossen)
(6:00am) Haunted Gold (1932/58m/Western/Mack V. Wright)
(7:00am) The Devil-Doll (1936/1h 19m/HorroTod Browning)
(8:30am) Before Dawn (1933/1h/Mystery/Irving Pichel)
(9:45am) Man Alive (1946/1h 10m/Comedy/Ray Enright)
(11:00am) Tormented (1960/1h 15m/Drama/Bert I. Gordon)
(12:30pm) Angel on My Shoulder (1946/1h 41m/Comedy/Archie Mayo)
(2:15pm) Night of Dark Shadows (1971/1h 37m/HorroDan Curtis)
(4:00pm) Indestructible Man (1956/1h 10m/HorroJack Pollexfen)
(5:15pm) From Hell It Came (1957/1h 11m/HorroDan Milner)
(6:30pm) Death Curse of Tartu (1966/1h 27m/HorroWilliam Grefé)
(8:00pm) Winchester '73 (1950/1h 32m/Western/Anthony Mann)
(10:00pm) She Wore a Yellow Ribbon (1949/1h 43m/Drama/John Ford)
Fri, October 30
(12:00am) Primary (1960/1h/Documentary/Robert Drew)
(1:15am) Crisis: Behind a Presidential Commitment (1963/58m/Documentary/Robert Drew)
(2:15am) Dos Monjes (1934/Drama/
(4:00am) Of Mice and Men (1939/1h 47m/Drama/Lewis Milestone)
(6:00am) MGM Parade Show #5 (1955/25m/Documentary/?)
(6:30am) Doctor X (1932/1h 16m/HorroMichael Curtiz)
(8:00am) The Mask of Fu Manchu (1932/1h 12m/Adventure/ Charles Brabin)
(9:30am) The Most Dangerous Game (1932/1h 3m/Drama/Ernest B. Schoedsack)
(10:45am) Island of Lost Souls (1932/1h 10m/Romance/Erle C. Kenton)
(12:00pm) White Zombie (1932/1h 13m/HorroVictor Halperin)
(1:30pm) The Vampire Bat (1933/1h 3m/HorroFrank Strayer)
(2:45pm) Mystery of the Wax Museum (1933/1h 12m/HorroMichael Curtiz)
(4:15pm) Mad Love (1935/1h 7m/HorroKarl Freund)
(5:30pm) The Walking Dead (1936/1h 6m/HorroMichael Curtiz)
(6:45pm) The Return of Dr. X (1939/1h 2m/HorroVincent Sherman)
(8:00pm) The Four Skulls of Jonathan Drake (1959/1h 10m/HorroEdward L. Cahn)
(9:15pm) Eye of the Devil (1966/1h 29m/HorroJ. Lee Thompson)
(11:00pm) The Devil's Bride (1968/1h 35m/HorroTerence Fisher)
Sat, October 31
(12:45am) The Wicker Man (1974/1h 37m/HorroRobin Hardy)
(2:30am) Fleshpot on 42nd Street (1972/1h 20m/HorroAndy Milligan
(4:00am) Guru the Mad Monk (1970/1h 2m/HorroAndy Milligan)
(5:15am) Distant Drummer: Flowers of Darkness (1972/22m/Documentary/William Templeton)
(6:00am) Freaks (1932/1h 30m/HorroTod Browning)
(7:15am) Dr. Jekyll and Mr. Hyde (1932/1h 30m/HorroRouben Mamoulian)
(9:00am) House of Wax (1953/1h 28m/HorroAndre Detoth)
(10:45am) Children of the Damned (1964/1h 30m/HorroAnton M. Leader)
(12:30pm) The Bad Seed (1956/2h 9m/HorroMervyn Leroy)
(2:45pm) The Picture of Dorian Gray (1945/1h 50m/Drama/Albert Lewin)
(4:45pm) The Wolf Man (1941/1h 11m/HorroGeorge Waggner)
(6:00pm) The Haunting (1963/1h 52m/Drama/Robert Wise
(8:00pm) Dr. Strangelove or: How I Learned To Stop Worrying and Love the Bomb (1964/1h 33m/Comedy/Stanley Kubrick)
(10:00pm) Them! (1954/1h 34m/HorroGordon Douglas)
submitted by tombstoneshadows28 to movies [link] [comments]

Which Director had the best run in the 90s?

Best run in terms of anything
Quentin Tarantino: Pulp Fiction, Jackie Brown, and Reservoir Dogs.
Martin Scorsese: Goodfellas, Casino, Kundun, Cape Fear, The Age of Innocence, and Bringing Out the Dead.
Robert Altman: The Player, Short Cuts, Prêt-à-Porter, Kansas City, The Gingerbread Man, Cookie's Fortune, and Vincent & Theo.
Robert Redford: Quiz Show, The Horse Whisperer, and A River Runs Through It.
The Coen Brothers: Fargo, Miller's Crossing, The Big Lebowski, Barton Fink, and The Hudsucker Proxy.
Wong Kar Wai: Chungking Express, Days of Being Wild, Ashes of Time, Fallen Angels, and Happy Together.
Paul Thomas Anderson: Hard Eight, Boogie Nights, and Magnolia.
David Fincher: Alien 3, Se7en, Fight Club, and The Game.
Francis Ford Coppola: The Godfather 3, The Rainmaker, Jack, and Bram Stoker's Dracula.
Steven Spielberg: Hook, Jurassic Park, The Lost World, Amistad, Schindler's List, and Saving Private Ryan.
Claire Dennis: Beau Travail, No Fear, No Die, I Can't Sleep, and Nénette and Boni.
Richard Linklater: Before Sunrise, Slacker, Dazed and Confused, The Newton Boys, and SubUrbia.
Abbas Kiarostami: Close Up, Taste of Cherry, The Wind Will Carry Us, Life, and Nothing More..., and Through the Olive Trees.
Harold Ramis: Groundhog Day, Analyze This, Stuart Saves His Family, and Multiplicity.
Michael Mann: Heat, The Last of the Mohicans, and The Insider.
Wes Anderson: Bottle Rocket and Rushmore.
Todd Haynes: Safe, Velvet Goldmine, and Poison.
The Wachowskis: The Matrix and Bound.
Emir Kusturica: Underground, Arizona Dream, and Black Cat, White Cat.
Krzysztof Kieślowski: Three Colours Trilogy and Double Life of Veronique
Steven Soderbergh: Out of Sight, Gray's Anatomy, Schizopolis, The Limey, Kafka, King of the Hill, and The Underneath.
Jonathan Demme: Philadelphia, The Silence of the Lambs, and Beloved.
Robert Zemeckis: Forrest Gump, Death Becomes Her, Contact, and Back to the Future Part III.
Zhang Yimou: To Live, Raise the Red Lantern, Not One Less, The Story of Qiu Ju, Ju Dou, Keep Cool, Shanghai Triad, The Road Home, and Zhang Yimou.
Terence Davies: The Long Day Closes and The Neon Bible.
Clint Eastwood: Unforgiven, The Bridges of Madison County, True Crime, Absolute Power, The Rookie, White Hunter Black Heart, In the Line of Fire, and A Perfect World.
Lars Von Trier: Breaking the Waves, Europa, and The Idiots.
Hirokazu Kore-eda: After Life, However..., Lessons from a Calf, August without Him, and Maborosi.
Gus Van Sant: My Own Private Idaho, To Die For, Good Will Hunting, Psycho, and Even Cowgirls Get the Blues.
David Lynch: Lost Highway, The Straight Story, Wild at Heart, and Twin Peaks: Fire Walk with Me.
Amy Heckerling: Clueless and Look Who's Talking Too.
Kathryn Bigelow: Point Blank, Strange Days, and Blue Steel.
Thomas Vinterberg: Festen, Last Round, The Boy Who Walked Backwards, and The Biggest Heroes.
Julie Dash: Daughters of the Dust, Funny Valentines, and Praise House.
Pedro Almodóvar: All About my Mother, Tie Me Up! Tie Me Down!, Live Flesh, High Heels, Kika, and The Flower of My Secret.
Jan De Bont: Speed 1 & 2, Twister, and The Haunting.
Oliver Stone: JFK, Nixon, Heaven & Earth, Natural Born Killers, The Doors, Any Given Sunday, and U Turn.
Rob Reiner: Misery, A Few Good Men, The American President, Ghosts of Mississippi, and The Story of Us.
Paul Verhoeven: Basic Instinct, Showgirls, Total Recall, and Starship Troopers.
Danny Boyle: Trainspotting, Shallow Grave, and A Life Less Ordinary.
Tim Burton: Edward Scissorhands, Ed Wood, The Nightmare Before Christmas, Sleepy Hollow, Batman Returns, and Mars Attacks!.
Ang Lee: Pushing Hands, Sense and Sensibility, The Ice Storm, Eat Drink Man Woman, The Wedding Banquet, and Ride with the Devil.
Jane Campion: The Piano, An Angel at My Table, The Portrait of a Lady, and Holy Smoke!.
Frank Darabont: The Shawshank Redemption and The Green Mile.
Lasse Hallström: What's Eating Gilbert Grape, Once Around, The Cider House Rules, and Something to Talk About.
Jim Jarmusch: Dead Man, Ghost Dog: The Way of the Samurai, Night on Earth, and Year of the Horse.
M. Night Shyamalan: The Sixth Sense, Praying with Anger, and Wide Awake.
Luc Besson: La Femme Nikita, Atlantis, Léon: The Professional, The Fifth Element, and The Messenger: The Story of Joan of Arc.
Alan Parker: The Commitments, Evita, Come See the Paradise, Angela's Ashes, and The Road to Wellville.
Terry Gilliam: The Fisher King, Fear and Loathing in Las Vegas, and 12 Monkeys.
Mike Leigh: Naked, Secrets and Lies, Topsy-Turvy, Life Is Sweet, and Career Girls.
Peter Jackson: Braindead, Heavenly Creatures, Forgotten Silver, and The Frighteners.
Martin Brest: Scent of a Woman, Meet Joe Black, and Josh and S.A.M.
Woody Allen: Everyone Says I Love You, Alice, Shadows and Fog, Husbands and Wives, Manhattan Murder Mystery, Mighty Aphrodite, Celebrity, Sweet and Lowdown, and Deconstructing Harry.
Ridley Scott: Thelma & Louise, G.I. Jane, White Squall, and 1492: Conquest of Paradise.
Bryan Singer: Apt Pupil, The Usual Suspects, and Public Access.
Kenneth Branagh: Othello, Much Ado About Nothing, Hamlet, Mary Shelley's Frankenstein, In the Bleak Midwinter, Dead Again, and Peter's Friends.
Theodoros Angelopoulos: Eternity and a Day, Ulysses' Gaze, and The Suspended Step of the Stork.
Spike Lee: Crooklyn, Malcolm X, Girl 6, Summer of Sam, Get on the Bus, Clockers, He Got Game, Mo' Better Blues, and Jungle Fever.
Radu Mihaileanu: Trahir, Bonjour Antoine, and Train of Life.
Richard Attenborough: Grey Owl, In Love and War, Chaplin, and Shadowlands.
Tony Scott: The Last Boy Scout, True Romance, Crimson Tide, The Fan, Enemy of the State, Days of Thunder, and Revenge.
Eric Rohmer: L'Arbre, le maire et la médiathèque and Les Rendez-vous de Paris.
Jacques Rivette: Up, Down, Fragile, Secret Defense, La Belle Noiseuse, and Joan the Maid.
Edward Yang: A Brighter Summer Day, A Confucian Confusion, and Mahjong.
Michael Haneke: Benny's Video, Funny Games, and 71 Fragments of a Chronology of Chance.
Farrelly brothers: Kingpin, Dumb and Dumber, and There's Something About Mary.
David Cronenberg : Naked Lunch, eXistenZ, Crash, and M. Butterfly.
Takeshi Kitano: Sonatine, Fireworks, Kikujiro and Kid'sReturn
Alex Cox: El Patrullero, Three Businessmen, The Winner, and Death and the Compass.
Atom Egoyan: Calendar, Exotica, The Sweet Hereafter, Felicia's Journey, and The Adjuster.
Manoel de Oliveira: The Divine Comedy, The Letter, Anxiety, Voyage to the Beginning of the World, Party, A Caixa, Abraham's Valley, The Convent, No, or the Vain Glory of Command, Day of Despair, and The Letter.
Dardenne brothers: Rosetta, Je pense à vous, and La Promesse
Jacques Rivette: La Belle Noiseuse, Top Secret, Up, Down, Fragile, and Joan the Maid.
Kiyoshi Kurosawa: Cure, Charisma, The Guard from Underground, Barren Illusions, and License to Live.
Jafar Panahi: The White Balloon and The Mirror.
Tsai Ming-liang: The River, Vive L'Amour, The Hole, and Rebels of the Neon God.
Hou Hsiao-hsien: The Puppetmaster, Flowers of Shanghai, Good Men, Good Women, and Goodbye South, Goodbye.
Leos Carax: Les Amants du Pont-Neuf, Sans Titre, and Pola X.
John Woo: Hard Boiled, Bullet in the Head, Hard Target, Once a Thief, Face/Off, and Broken Arrow.
Olivier Assayas: Cold Water, A New Life, Irma Vep, Tous les garçons et les filles de leur âge..., Paris Awakens, Cinéma, de notre temps, Alice and Martin, Man Yuk: A Portrait of Maggie Cheung, Late August, Early September, and Filha da Mãe.
Roman Polanski: Bitter Moon, Death and the Maiden, and The Ninth Gate.
Brian De Palma: Carlito’s Way, The Bonfire of the Vanities, Raising Cain, Snake Eyes, and Mission: Impossible.
Werner Herzog: Lessons of Darkness, My Best Fiend, Little Dieter Needs to Fly, and Scream of Stone.
Cameron Crowe: Singles and Jerry Maguire.
Alexander Sokurov: The Stone, Whispering Pages, Mother and Son, Moloch, and The Second Circle.
Mohsen Makhmalbaf: Hello Cinema, Gabbeh, The Silence, The School the Wind Blew Away, Tales of Kish, A Moment of Innocence, Time of Love, Images from the Qajar Period, The Nights of Zayande-rood, Once Upon a Time, Cinema, Actor, and Stone and Glass
Hayao Miyazaki: Princess Mononoke, Porco Rosso, and On Your Mark.
Jean Luc Godard: Nouvelle Vague, JLG/JLG – Self-Portrait in December, New Wave, Hélas pour moi, For Ever Mozart, Germany Year 90 Nine Zero, Les Enfants jouent à la Russie, and Histoire(s) du Cinéma.
Alexander Payne: Election and Citizen Ruth.
James Foley: Glengarry Glen Ross, The Chamber, The Corruptor, Two Bits, After Dark, My Sweet, and Fear.
James Mangold: Heavy, Cop Land, and Girl, Interrupted.
Whit Stillman: The Last Days of Disco, Metropolitan, and Barcelona.
submitted by Britneyfan456 to flicks [link] [comments]

Fact Checking Claims about Hezbollah's relationship with the Ammonium Nitrate.

Claim: Hezbollah uses the Beirut port to smuggle/store weapons
Rating: False
- According to a US diplomatic cable acquired by the New York Times “Hezbollah is known to be careful with its weapons caches and explosive material, diplomats said. If they were using the ammonium nitrate at the port for their own purposes, it would be unusual for them to store it so carelessly. Diplomats in Beirut and former Pentagon and U.S. intelligence officials said that while Hezbollah had a firm grip on Lebanon and controlled the airport and many of the border crossings to Syria, it was thought to use land routes for smuggling in arms and not the Beirut port.” (emphasis added) source
- According to Independent Middle East correspondent Robert Fisk who lived and reported in Beirut since 1989, “Hezbollah does indeed control parts of Beirut airport next to the southern suburbs, which it rules. . . Here’s a little home truth from a Beirut shipping agent whom I’ve known for several decades. “Every Lebanese party has its people in the port – Sunnis, Shia, Christians, the lot. . .” With every major party – their intelligence sought by every major foreign power – operating in the port, would Hezbollah really store explosives, munitions, bombs, even missiles in the harbour? In a Hollywood movie, of course. But in real life? No, their weapons come across the Syrian-Lebanese frontier to the east. During the civil war, the Christian Phalange in east Beirut controlled the entire ‘5th Basin’ (so it was called) in the port. But did they import weapons and ammunition into Beirut through the harbour? Of course not. (They shipped them in industrial crates into their port of Jounieh to the north, but that’s another story). Beirut’s port was not a weapons dump. It was a roulette wheel for everyone. And the casino, its dice loaded by every faction in Lebanon, spectacularly blew up last week.” source
- In accordance with UN Security Council Resolution 1701 there 1,700 German surveillance ships around the port which means Hezbollah can’t use it to get weapons even if they want to.
- The FBI investigation so far concluded that there were no Hezbollah weapons stored in the port. source
Claim: A Wikileaks document proves Hezbollah owned the ammonium nitrate
Rating: False
- See this twitter thread.
- The document states the Hezbollah is seeking for “military grade explosives” while from analyzing the footage of the explosion, Dr. Rachel Lance, an explosives expert concluded “that ammonium nitrate was present and that it was not military grade.” So if anything, the document proves Hezbollah did not own the ammonium nitrate that were stored in the port. source1 source2
Claim: Hezbollah uses ammonium nitrate in Cyprus, Germany, Thailand, UK… etc
Rating: False
- See this detailed article from The Grayzone by American historian and investigative journalist Gareth Porter regarding these claims.
submitted by creemyice to Lebanese [link] [comments]

Peter Cushing is the Star of the Month for October, 2020 on TCM (U.S.)

Every Monday from 8:00 p.m. till just after the sun comes up.
Thursday, October 01, 2020
(12:00 AM) (drama) Up The Down Staircase (1967/124 m/Robert Mulligan)
(2:15 AM) (comedy) Our Miss Brooks (1956/85 m/Al Lewis)
(4:00 AM) (drama)The Corn Is Green (1945/114 m/Irving Rapper)
(6:00 AM) (comedy) Girl He Left Behind (1956/103 m/David Butler)
(8:00 AM) (war) Lafayette Escadrille (1958/93 m/William A. Wellman)
(9:45 AM) (comedy) Dondi (1961/100 m/Albert Zugsmith)
(11:30 AM) (epic) The Shoes of the Fisherman (1968/162 m/Michael Anderson)
(2:15 PM) (crime) Ring of Fire (1961/91 m/Andrew L. Stone)
(4:00 PM) (suspense) Twenty Plus Two (1961/103 m/Joseph M. Newman)
(5:45 PM) (horror) Marooned (1969/129 m/John Sturges)
(8:00 PM) (drama) La Strada (1954/108 m/Federico Fellini)
(10:00 PM) (romance) Two for the Road (1967/111 m/Stanley Donen)
Friday, October 02, 2020
(12:00 AM) (romance) Dodsworth (1936/101 m/William Wyler)
(2:00 AM) (documentary) The Memphis Belle: A Story of a Flying Fortress (1944/40 m/Lt. Col. William Wyler)
(3:00 AM) (drama) Black Girl (1966/60 m/Ousmane Sembene)
(4:15 AM) (drama) The Music Room (1958/99 m/Satyajit Ray)
(6:00 AM) (comedy) Go West (1940/80 m/Edward Buzzell)
(7:45 AM) (comedy) The Big Store (1941/83 m/Charles Riesner)
(9:30 AM) (comedy) Double Dynamite (1951/81 m/Irving Cummings)
(11:00 AM) (comedy) Girl In Every Port (1952/86 m/Chester Erskine)
(12:30 PM) (comedy) A Day at the Races (1937/109 m/Sam Wood)
(2:30 PM) (comedy) At the Circus (1939/87 m/Edward Buzzell)
(4:15 PM) (comedy) A Night at the Opera (1935/91 m/Sam Wood)
(6:00 PM) (epic) The Story of Mankind (1957/100 m/Irwin Allen)
(8:00 PM) (horror) Dracula (1931/74m/Tod Browning)
(9:30 PM) (suspense) Cat People (1942/73 m/Jacques Tourneur)
(11:00 PM) (horror) House on Haunted Hill (1958/75 m/William Castle)
Saturday, October 03, 2020
(12:30 AM) (horror) The Haunting (1963/112 m/Robert Wise)
(3:45 AM) (premiere) Wigstock: The Movie (1995/85 m/Barry Shils)
(5:15 AM) (short) The Relaxed Wife (1957/13 m/?)
(5:15 AM) (short) Time Out for Trouble (1961/19m/David S. Glidden)
(6:00 AM) (comedy) Million Dollar Baby (1941/101 m/Curtis Bernhardt)
(8:00 AM) (premiere) MGM CARTOONS: The Peachy Cobbler (1950/7 m/Fred (Tex) Avery)
(8:08 AM) (short) Phonies Beware! (1956/8 m/Larry O'Reilly)
(8:17 AM) (short) Night Life in Chicago (1948/9 m/?)
(8:27 AM) (premiere) Arctic Fury (1949/61 m/Norman Dawn)
(9:30 AM) (premiere) THE WILD WEST DAYS: Redskins’ Revenge (1937/?/?)
(10:00 AM) (premiere) POPEYE: Baby Wants a Bottleship (1942/7 m/Dave Fleischer)
(10:08 AM) (adventure) Safari Drums (1953/71 m/Ford Beebe)
(11:30 AM) (documentary) Alaska Lifeboat (1956/21 m/Herbert Morgan)
(12:00 PM) (drama) The Prince and the Pauper (1937/118 m/William Keighley)
(2:15 PM) (crime) Key Largo (1948/100 m/John Huston)
(4:15 PM) (drama) The Defiant Ones (1958/96 m/Stanley Kramer)
(6:00 PM) (romance) The Thomas Crown Affair (1968/102 m/Norman Jewison)
(8:00 PM) (epic) Lawrence of Arabia (1962/227 m/David Lean)
Sunday, October 04, 2020
(12:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger)
(2:00 AM) (western) Across the Wide Missouri (1951/78 m/William Wellman)
(3:30 AM) (musical) On An Island With You (1948/108 m/Richard Thorpe)
(5:30 AM) (short) Inflation (1942/17 m/Cy Endfield)
(6:00 AM) (romance) The Last of Mrs. Cheyney (1937/98 m/Richard Boleslawski)
(7:45 AM) (romance) Humoresque (1946/124 m/Jean Negulesco)
(10:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger)
(12:00 PM) (comedy) Mr. Belvedere Goes to College (1949/83 m/Elliott Nugent)
(1:30 PM) (comedy) The Women (1939/133 m/George Cukor)
(4:00 PM) (musical) Bye Bye Birdie (1963/112 m/George Sidney)
(6:00 PM) (documentary) The Great Buster: A Celebration (2018/101 m/Peter Bogdanovich)
(8:00 PM) (silent) Sherlock Jr. (1924/46 m/Buster Keaton)
(9:00 PM) (silent) The General (1927/79 m/Buster Keaton)
(10:30 PM) (silent) Steamboat Bill Jr. (1928/71 m/Charles F. Reisner)
Monday, October 05, 2020
(12:00 AM) (silent) Seven Chances (1925/57 m/Buster Keaton)
(2:00 AM) (drama) Viridiana (1961/91 m/Luis Buñuel)
(3:45 AM) (drama) The Exterminating Angel (1962/92 m/Luis Buñuel)
(5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?)
(6:00 AM) (musical) Roberta (1935/106 m/William A. Seiter)
(8:00 AM) (musical) Fashions of 1934 (1934/78 m/William Dieterle)
(9:30 AM) (drama) Stolen Holiday (1937/80 m/Michael Curtiz)
(11:00 AM) (comedy) Designing Woman (1957/118 m/Vincente Minnelli)
(1:00 PM) (comedy) Made in Paris (1966/103 m/Boris Sagal)
(2:45 PM) (romance) A Place for Lovers (1969/88 m/Vittorio De Sica)
(4:30 PM) (horror) Blood and Black Lace (1964/88 m/Mario Bava)
(6:00 PM) (suspense) Lured (1947/103 m/Douglas Sirk)
(8:00 PM) (crime) Cash on Demand (1961/80 min/Quentin Lawrence)
(9:30 PM) (romance) The End of the Affair (1955/106 m/Edward Dmytryk)
(11:30 PM) (crime) Time Without Pity (1957/85 m/Joseph Losey)
Tuesday, October 06, 2020
(1:15 AM) (adventure) John Paul Jones (1959/126 m/John Farrow)
(3:30 AM) (drama) Hamlet (1948/154 m/Laurence Olivier)
(6:15 AM) (comedy) A Chump at Oxford (1940/63 m/Alfred Goulding)
(7:30 AM) (drama) Vigil in the Night (1940/102 m/George Stevens)
(9:15 AM) (comedy) The Gay Bride (1934/80 m/Jack Conway)
(10:45 AM) (musical) Swing High, Swing Low (1937/83 m/Mitchell Leisen)
(12:15 PM) (comedy) Love Before Breakfast (1936/70 m/Walter Lang)
(1:30 PM) (comedy) Nothing Sacred (1937/74 m/William A. Wellman)
(3:00 PM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock)
(4:45 PM) (comedy) To Be or Not to Be (1942/99 m/Ernst Lubitsch)
(6:30 PM) (documentary) The Golden Age of Comedy (1957/79 m/various)
(9:15 PM) (drama) The Ascent (1977/109 m/Larisa Sheptiko)
Wednesday, October 07, 2020
(12:30 AM) Meek's Cutoff (2010/104 m/Kelly Reichardt)
(2:30 AM) (short) Meshes of the Afternoon (1944/14 m/Maya Deren)
(4:30 AM) (comedy) Daisies (1966/76 m/Vera Chytilová
(6:00 AM) (premiere) Cameraperson (2016/102 m/Kirsten Johnson)
(9:15 AM) (drama) The Journey (1959/126 m/Anatole Litvak)
(11:30 AM) (drama) The Squall (1929/102 mAlexander Korda)
(1:30 PM) (short) Beautiful Budapest (1938/9 m/?)
(1:45 PM) (short) Rural Hungary (1939/9 m/James A. FitzPatrick)
(2:00 PM) (drama) Fight For Your Lady (1938/66 m/Ben Stoloff)
(3:15 PM) (drama) Storm at Daybreak (1933/79 m/Richard Boleslavsky)
(4:45 PM) (romance) The Shop Around the Corner (1940/99 m/Ernst Lubitsch)
(6:30 PM) (musical) One Heavenly Night (1930/80 m/Geo. Fitzmaurice)
(8:00 PM) (comedy) No Time For Sergeants (1958/119 m/Mervyn LeRoy)
(10:15 PM) (drama) A Face in the Crowd (1957/126 m/Elia Kazan)
Thursday, October 08, 2020
(12:30 AM) (western) Hearts of the West (1975/102 m/Howard Zieff)
(2:30 AM) (comedy) Onionhead (1958/110 m/Norman Taurog)
(4:30 AM) (comedy) Thunder Afloat (1939/95 m/George B. Seitz)
(6:15 AM) (crime) The Public Enemy (1931/84 m/William A. Wellman)
(8:15 AM) (romance) Red-Headed Woman (1932/79 m/Jack Conway)
(9:45 AM) (comedy) Dinner at Eight (1933/111 m/George Cukor)
(11:45 AM) (comedy) Saratoga (1937/92 m/Jack Conway)
(1:30 PM) (romance) Hold Your Man (1933/87 m/Sam Wood)
(3:15 PM) (romance) Red Dust (1932/83 m/Victor Fleming)
(4:45 PM) (comedy) Personal Property (1937/84 m/W. S. Van Dyke II)
(6:15 PM) (comedy) Bombshell (1933/96 m/Victor Fleming)
(8:00 PM) (comedy) The Front Page (1931/101 m/Lewis Milestone)
(10:00 PM) (suspense) Detour (1945/68 m/Edgar G. Ulmer)
(11:30 PM) (drama) The Man with the Golden Arm (1956/119m/Otto Preminger)
Friday, October 09, 2020
(1:45 AM) (romance) Love Affair (1939/88 m/Leo McCarey)
(3:30 AM) (crime) A Brighter Summer Day (1991/237 m/Edward Yang)
(7:00 AM) (short) Alice in Movieland (1940/22 m/Jean Negulesco)
(7:45 AM) (drama) Nora Prentiss (1947/111 m/Vincent Sherman)
(9:45 AM) (crime) Born to Kill (1947/92 m/Robert Wise)
(11:30 AM) (drama) Dark Passage (1947/106 m/Delmer Daves)
(1:30 PM) (suspense) Out of the Past (1947/97 m/Jacques Tourneur)
(3:15 PM) (crime) Race Street (1948/79 m/Edwin L. Marin)
(4:45 PM) (suspense) Impact (1949/111 m/Arthur Lubin)
(6:45 PM) (suspense) The Woman On Pier 13 (1950/73 m/Robert Stevenson)
(8:00 PM) (horror) The Ghoul (1933/81 m/T. Hayes Hunter)
(9:30 PM) (horror) The Black Sleep (1956/82 m/Reginald LeBorg)
(11:00 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning)
Saturday, October 10, 2020
(12:15 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero)
(2:00 AM) (adventure) White Lightning (1973/101 m/Joseph Sargent)
(3:45 AM) (drama) Gator (1976/116 m/Burt Reynolds)
(5:45 AM) (short) The Corvair in Action! (1960/6 m/?)
(6:00 AM) (musical) The Opposite Sex (1956/116 m/David Miller)
(8:00 AM) (premiere) MGM Cartoons: Red Hot Riding Hood (1943/7 m/Fred (Tex) Avery)
(8:09 AM) (short) Fortune Seekers (1956/8 m/Larry O'Reilly)
(8:18 AM) (documentary) Historic Maryland (1941/8 m/?)
(8:27 AM) (drama) Men of the North (1930/61 m/Hal Roach)
(9:30 AM) (premiere) THE WILD WEST DAYS: Brink of Doom (1937/?/?)
(10:00 AM) (premiere) POPEYE: Alona the Sarong Seas (1942/7 m/Dave Fleischer)
(10:08 AM) (premiere) The Golden Idol (1954/71 m/Ford Beebe)
(11:30 AM) (comedy) King Of The Islands (1935/17 m/Ralph Staub) .
(12:00 PM) (adventure) Tarzan The Ape Man (1932/100 m/W. S. Van Dyke II)
(2:00 PM) (musical) Lili (1953/81 m/Charles Walters)
(3:30 PM) (comedy) Casino Royale (1967/131 m/John Huston, et. al.)
(6:00 PM) (musical) Top Hat (1935/100 m/Mark Sandrich)
(8:00 PM) (adventure) Gunga Din (1939/117 m/George Stevens)
(10:15 PM) (adventure) The Three Musketeers (1948/126 m/George Sidney)
Sunday, October 11, 2020
(12:30 AM) (crime) The Racket (1951/89 m/John Cromwell)
(2:30 AM) (comedy) Bananas (1971/82 m/Woody Allen)
(4:00 AM) (comedy) Hannah and Her Sisters (1986/107 m/Woody Allen)
(6:00 AM) (comedy) A Midsummer Night's Dream (1935/143 m/Max Reinhardt)
(8:30 AM) (drama) Journey For Margaret (1942/81 m/Major W. S. Van Dyke II)
(10:00 AM) (crime) The Racket (1951/89 m/John Cromwell)
(12:00 PM) (drama) Sounder (1972/105 m/Martin Ritt)
(2:00 PM) (drama) The Secret Garden (1949/92 m/Fred M. Wilcox)
(3:45 PM) (drama) The Catered Affair (1956/94 m/Richard Brooks)
(5:30 PM) (musical) Flower Drum Song (1961/131 m/Henry Koster)
(8:00 PM) (comedy) The Front Page (1974/105 m/Billy Wilder)
(10:00 PM) (comedy) The Fortune Cookie (1966/126 m/Billy Wilder)
Monday, October 12, 2020
(12:15 AM) (comedy) Sidewalk Stories (1989/99 m/Charles Lane)
(2:15 AM) (comedy) The Firemen's Ball (1967/73 m/Milos Forman)
(3:45 AM) (premiere) All My Good Countrymen (1968/126 m/Vojtěch Jasný)
(6:00 AM) (horror) The Reptile (1966/90 m/John Gilling)
(7:45 AM) (horror) The Killer Shrews (1959/68 m/Ray Kellogg)
(9:00 AM) (horror) King Kong (1933/104 m/Merian C. Cooper)
(11:00 AM) (horror) The Beast From 20,000 Fathoms (1953/80 m/Eugene Lourié)
(12:30 PM) (horror) Gojira (1954/96 m/Ishiro Honda)
(2:00 PM) (horror) Creature from the Black Lagoon (1954/79 m/Jack Arnold)
(3:30 PM) (horror) Creature from the Haunted Sea (1961/59 m/Roger Corman)
(4:45 PM) (horror) The Green Slime (1969/90 m/Kinji Fukasaku)
(6:30 PM) (horror) Night of the Lepus (1972/88 m/William F. Claxton)
(8:00 PM) (adventure) Sword of Sherwood Forest (1960/80 m/Terence Fisher)
(11:00 PM) (horror) Daleks - Invasion Earth 2150 A.D. (1966/81 m/Gordon Flemyng)
Tuesday, October 13, 2020
(12:30 AM) (adventure) She (1965/106 m/Robert Day)
(2:30 AM) (crime) Violent Playground (1958/106 m/Basil Dearden)
(4:30 AM) (premiere) In Saigon: Some May Live (1967/89 m/Vernon Sewell)
(6:00 AM) (drama) Devotion (1931/81 m/Robert Milton)
(7:30 AM) (comedy) The Runaway Bus (1954/74 m/Val Guest)
(9:00 AM) (crime) The Solitaire Man (1933/67 m/Jack Conway)
(10:30 AM) (suspense) Blind Adventure (1933/63 m/Ernest B. Schoedsack)
(11:45 AM) (musical) Double Trouble (1967/92 m/Norman Taurog)
(1:30 PM) (romance) A Warm December (1972/101 m/Sidney Poitier)
(3:30 PM) (drama) The V.I.P.S (1963/119 m/Anthony Asquith)
(5:45 PM) (comedy) The Prince and the Showgirl (1957/117 m/Laurence Olivier)
Wednesday, October 14, 2020
(2:00 AM) (documentary) The House Is Black (1963/22 m/?)
(2:30 AM) (romance) First Love (1977/91 m/Joan Darling)
(4:15 AM) (drama) The Night Porter (1974/118 m/Liliana Cavani)
(6:30 AM) (drama) Le Bonheur (1965/80 m/Agnes Varda)
(10:15 AM) (silent) The Unholy Three (1925/86 m/Tod Browning)
(12:00 PM) (silent) The Unknown (1927/49 m/Tod Browning)
(1:00 PM) (silent) The Blackbird (1926/86 m/Tod Browning)
(2:30 PM) (horror) The Thirteenth Chair (1929/73 m/Tod Browning)
(4:00 PM) (horror) Freaks (1932/62 m/Tod Browning)
(5:15 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning)
(6:30 PM) (horror) The Devil-Doll (1936/78 m/Tod Browning)
(8:00 PM) (drama) Abe Lincoln in Illinois (1940/110 m/John Cromwell)
(10:00 PM) (drama) Sunrise at Campobello (1960/144 m/Vincent J. Donehue)
Thursday, October 15, 2020
(12:45 AM) (drama) Wilson (1944/154 m/Henry King)
(3:30 AM) (war) PT 109 (1963/140 m/Leslie H. Martinson) .
(6:00 AM) (comedy) Three Men on a Horse (1936/86 m/Mervyn LeRoy)
(7:30 AM) (crime) Unholy Partners (1941/94 m/Mervyn LeRoy)
(9:15 AM) (musical) Sweet Adeline (1935/88 m/Mervyn Le Roy)
(11:00 AM) (comedy) Happiness Ahead (1934/86 m/Mervyn Le Roy)
(12:30 PM) (drama) Big City Blues (1932/63 m/Mervyn LeRoy)
(1:45 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy)
(4:00 PM) (drama) They Won't Forget (1937/95 m/Mervyn LeRoy)
(5:45 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy)
(8:00 PM) (war) Tunes of Glory (1960/107 m/Ronald Neame)
(10:00 PM) (war) The Life and Death of Colonel Blimp (1943/164 m/Michael Powell)
Friday, October 16, 2020
(1:00 AM) (war) The Seventh Cross (1944/112 m/Fred Zinnemann)
(3:00 AM) (drama) The Diary of Anne Frank (1959/180 m/George Stevens)
(6:15 AM) (documentary) Trances (1981/89 m/Ahmed El Maanouni)
(8:00 AM) (comedy) Little Shop of Horrors (1960/72 m/Roger Corman)
(9:15 AM) (horror) Village of the Damned (1960/77 m/Wolf Rilla)
(10:45 AM) (horror) The Brain That Wouldn't Die (1962/82 m/Joseph Green)
(12:15 PM) (horror) Carnival of Souls (1962/78 m/Herk Harvey)
(1:45 PM) (horror) Dementia 13 (1963/75 m/Francis Ford Coppola)
(3:15 PM) (horror) The Raven (1963/86 m/Roger Corman)
(4:45 PM) (horror) Spider Baby (1964/84 m/Jack Hill)
(6:15 PM) (horror) The Nanny (1965/93 m/Seth Holt)
(8:00 PM) (horror) Dead of Night (1945/103 m/Alberto Cavalcanti, Basil Dearden, Robert Hamer, Charles Crichton)
(10:00 PM) (horror) Twice-Told Tales (1963/120 m/Sidney Salkow)
Saturday, October 17, 2020
(12:15 AM) (horror) Black Sabbath (1963/96 m/Mario Bava)
(2:00 AM) (premiere) Enter the Ninja (1981/99 m/Menahem Golan)
(3:45 AM) (premiere) Revenge of the Ninja (1983/?/Sam Firstenberg)
(5:30 AM) (short) Shake Hands With Danger (1970/23 m/?)
(6:00 AM) (war) The Password Is Courage (1962/115 m/Andrew L. Stone)
(8:00 AM) MGM CARTOONS: Sheep Wrecked (1958/6 m/Michael Lah)
(8:08 AM) (documentary) Cave Explorers (1957/8 m/Heinz Scheiderbauer)
(8:17 AM) (short) The Capital City Washington, D.C. (1940/9 m/?)
(8:27 AM) (drama) She Loved A Fireman (1937/58 m/John Farrow)
(9:30 AM) (premiere) The WILD WEST DAYS: Indians Are Coming (1937/?/?)
(10:00 AM) (premiere) POPEYE: A Hull of a Mess (1942/6 m/Dave Fleischer)
(10:08 AM) (adventure) Lord of the Jungle (1955/69 m/Ford Beebe)
(11:30 AM) (short) Kissing Time (1933/22 m/Roy Mack)
(12:00 PM) (western) Angel And The Badman (1947/100 m/James Edward Grant)
(1:45 PM) (adventure) Captain Horatio Hornblower (1951/117 m/Raoul Walsh)
(4:00 PM) (comedy) Support Your Local Sheriff! (1969/93 m/Burt Kennedy)
(5:45 PM) (horror) Rollerball (1975/125 m/Norman Jewison)
(8:00 PM) (musical) Singin' in the Rain (1952/103 m/Gene Kelly)
(10:00 PM) (musical) Summer Stock (1950/109 m/Charles Walters)
Sunday, October 18, 2020
(12:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn)
(1:45 AM) (comedy) The Fearless Vampire Killers or Pardon Me, But Your Teeth Are in My Neck (1966/107 m/Roman Polanski)
(3:45 AM) (horror) House of Dark Shadows (1970/97 m/Dan Curtis)
(5:30 AM) (short) Return to Glennascaul (1953/24 m/Hilton Edwards)
(6:00 AM) (drama) The Life of Emile Zola (1937/116 m/William Dieterle)
(8:15 AM) (comedy) His Girl Friday (1940/92 m/Howard Hawks)
(10:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn)
(11:45 AM) (epic) The Good Earth (1937/138 m/Sidney Franklin)
(2:15 PM) (drama) Written on the Wind (1957/99 m/Douglas Sirk)
(4:00 PM) (romance) Dear Heart (1964/114 m/Delbert Mann)
(6:00 PM) (comedy) Peggy Sue Got Married (1986/105 m/Francis Ford Coppola)
(10:00 PM) (comedy) Losing Ground (1982/86 m/Kathleen Collins)
Monday, October 19, 2020
(12:00 AM) (silent) Exit Smiling (1926/77 m/Sam Taylor)
(2:00 AM) (premiere) I Am Waiting (1957/91 m/Koreyoshi Kurahara)
(3:45 AM) (premiere) A Colt Is My Passport (1967/84 m/Takashi Nomura) .
(5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?)
(6:00 AM) (comedy) I Married a Witch (1942/77 m/René Clair)
(7:30 AM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock)
(9:15 AM) (crime) Touch of Evil (1958/111 m/Orson Welles)
(11:30 AM) (adventure) Mogambo (1953/116 m/John Ford)
(1:45 PM) (suspense) North by Northwest (1959/136 m/Alfred Hitchcock)
(4:15 PM) (drama) In A Lonely Place (1950/93 m/Nicholas Ray)
(6:00 PM) (war) Any Number Can Play (1949/103 m/Mervyn LeRoy)
(8:00 PM) (suspense) The Hound of the Baskervilles (1959/87 m/Terence Fisher)
(9:30 PM) (horror) Horror of Dracula (1958/81 m/Terence Fisher)
(11:15 PM) (horror) The Mummy (1959/88 m/Terence Fisher)
(1:00 AM) (horror) The Curse of Frankenstein (1957/83 min/Terence Fisher)
(2:45 AM) (horror) Frankenstein Created Woman (1967/92 min/Terence Fisher)
(4:30 AM) (horror) Frankenstein Must Be Destroyed! (1970/101 m/Terence Fisher)
Tuesday, October 20, 2020
(6:15 AM) (comedy) Front Page Woman (1935/82 m/Michael Curtiz)
(7:45 AM) (romance) Wife Vs. Secretary (1936/88 m/Clarence Brown)
(9:30 AM) (suspense) Mr. And Mrs. North (1941/67 m/Robert B. Sinclair)
(10:45 AM) (comedy) Theodora Goes Wild (1936/94 m/Richard Boleslawski)
(12:30 PM) (comedy) Breakfast for Two (1937/68 m/Alfred Santell)
(1:45 PM) (comedy) Four's A Crowd (1938/92 m/Michael Curtiz)
(3:30 PM) (comedy) It's A Wonderful World (1939/86 m/W. S. Van Dyke II)
(5:00 PM) (comedy) Fools For Scandal (1938/80 m/Mervyn Le Roy)
(6:30 PM) (romance) Love on the Run (1936/80 m/W. S. Van Dyke)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema #8 (2018/?/Mark Cousins)
(9:15 PM) TBA
(10:45 PM) (documentary)) Women Make Film: A New Road Movie Through Cinema #8 (2018/?/Mark Cousins)
__
Wednesday, October 21, 2020
(2:00 AM) (premiere) The Third Miracle (1999/119 m/Agnieszka Holland)
(7:45 AM) (short) The Birth, the Life and the Death of Christ (1906/34 m/Alice Guy-Blache)
(8:30 AM) (documentary) Araya (1959/83 m/Margot Benacerraf)
(10:00 AM) (drama) Children of a Lesser God (1986/119 m/Randa Haines)
(12:15 PM) (drama) Young Dr. Kildare (1938/82 m/Harold S. Bucquet)
(1:45 PM) (drama) Calling Dr. Kildare (1939/86 m/Harold S. Bucquet)
(3:30 PM) (drama) The Secret of Dr. Kildare (1939/84 m/Harold S. Bucquet)
(5:00 PM) (drama) Dr. Kildare Goes Home (1940/79 m/Harold S. Bucquet)
(6:30 PM) (drama) Dr. Kildare's Crisis (1940/75 m/Harold S. Bucquet)
(8:00 PM) (comedy) Hard To Handle (1933/78 m/Mervyn LeRoy)
(9:30 PM) (crime) The Beast Of The City (1932/86 m/Charles Brabin)
(11:15 PM) (drama) One Way Passage (1942/67 m/Tay Garnett)
Thursday, October 22, 2020
(12:45 AM) (crime) They Live By Night (1948/95 m/Nicholas Ray)
(2:30 AM) (adventure) The Prisoner of Zenda (1952/100 m/Richard Thorpe)
(4:15 AM) (adventure) Green Fire (1955/100 m/Andrew Marton)
(6:00 AM) (adventure) Three Faces East (1930/71 m/Roy Del Ruth)
(7:30 AM) (drama) Born to Love (1932/81 m/Paul L. Stein)
(9:00 AM) (drama) The Common Law (1932/74 m/Paul L. Stein)
(10:30 AM) (drama) Rockabye (1932/68 m/George Cukor)
(11:45 AM) (drama) Bed of Roses (1933/ 67 /Gregory LaCava)
(1:00 PM) (drama) Our Betters (1933/83 m/George Cukor)
(2:30 PM) (comedy) Topper (1937/97 m/Norman Z. McLeod)
(4:15 PM) (comedy) Topper Takes a Trip (1939/80 m/Norman Z. McLeod)
(5:45 PM) (comedy) Merrily We Live (1938/95 m/Norman Z. McLeod)
(7:30 PM) (documentary) MGM Parade Show #5 (1955/26 m/?)
(8:00 PM) (crime) The Killers (1964/93 m/Donald Siegel)
(9:45 PM) (drama) The Breaking Point (1950/97 m/Michael Curtiz)
(11:30 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz)
Friday, October 23, 2020
(1:00 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero)
(3:00 AM) (premiere) A River Called Titas (1973/158 m/Ritwik Ghatak)
(6:00 AM) (drama) Inside Straight (1951/87 m/Gerald Mayer)
(7:30 AM) (crime) Absolute Quiet (1936/70 m/George B. Seitz)
(8:45 AM) (drama) Chain Lightning (1950/95 m/Stuart Heisler)
(10:30 AM) (adventure) Tycoon (1947/129 m/Richard Wallace)
(12:45 PM) (drama) No Marriage Ties (1933/72 m/J. Walter Ruben)
(2:00 PM) (drama) Death of a Scoundrel (1956/120 m/Charles Martin)
(4:15 PM) (crime) Assignment To Kill (1968/99 m/Sheldon Reynolds)
(6:00 PM) (suspense) The Drowning Pool (1975/108 m/Stuart Rosenberg)
(8:00 PM) (horror) Pit and the Pendulum (1961/80 m/Roger Corman)
(9:45 PM) (horror) Spirits of the Dead (1968/121 m/Federico Fellini, Louis Malle, Roger Vadim)
Saturday, October 24, 2020
(12:00 AM) (horror) Murders In The Rue Morgue (1971/98 m/Gordon Hessler)
(2:00 AM) (premiere) Ninja III: The Domination (1984/95 m/Sam Firstenberg)
(3:45 AM) (drama) Heavenly Bodies (1985/89 m/Lawrence Dane)
(5:30 AM) (short) Keep Off The Grass (1969/21 m/?)
(6:00 AM) (comedy) Please Don't Eat the Daisies (1960/111 m/Charles Walters)
(8:00 AM) (premiere) MGM CARTOONS: One Cab's Family (1938/8 m/Fred (Tex) Avery)
(8:09 AM) (documentary) Black Cats and Broomsticks (1955/8 m/Larry O'Reilly)
(8:18 AM) (short) Wandering Here and There (1944/9 m/James A. FitzPatrick)
(8:28 AM) (romance) King Of The Lumberjacks (1940/59 m/William Clemens)
(9:30 AM) (premiere) THE WILD WEST DAYS: Leap For Life (1937/?/?)
(10:00 AM) (premiere) POPEYE: Cartoons Ain’t Human (1943/7 m/Dave Fleischer)
(10:09 AM) (adventure) Tarzan And The Amazons (1945/76 m/Kurt Neumann)
(11:30 AM) (short) The Flame Song (1934/22 m/Joseph Henabery)
(12:00 PM) (suspense) Harper (1966/121 m/Jack Smight)
(2:15 PM) (horror) Brainstorm (1983/106 m/Douglas Trumbull)
(4:15 PM) (war) Men Of The Fighting Lady (1954/80 m/Andrew Marton)
(5:45 PM) (drama) Citizen Kane (1941/119 m/Orson Welles)
(8:00 PM) (drama) Ace in the Hole (1951/111m/Billy Wilder)
(10:15 PM) (premiere) Flesh and Fury (1952/83 m/Joseph Pevney)
Sunday, October 25, 2020
(12:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg)
(1:45 AM) (horror) The Werewolf (1956/80 m/Fred F. Sears)
(3:15 AM) (premiere) The Howling (1981/91 m/Joe Dante)
(5:00 AM) (horror) The Mummy (1932/73 m/Karl Freund)
(6:15 AM) (suspense) Murder on the Blackboard (1934/72 m/George Archainbaud)
(7:30 AM) (romance) All This, and Heaven Too (1940/143 m/Anatole Litvak)
(10:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg)
(12:00 PM) (romance) The White Cliffs Of Dover (1944/126 m/Clarence Brown)
(2:15 PM) (epic) Around the World in 80 Days (1956/182 m/Michael Anderson)
(5:30 PM) (horror) What Ever Happened to Baby Jane? (1962/134 m/Robert Aldrich)
(8:00 PM) (western) 3:10 to Yuma (1957/92 m/Delmer Daves)
(10:00 PM) (western) Gunman's Walk (1958/95 m/Phil Karlson)
Monday, October 26, 2020
(12:00 AM) (silent) Haxan: Witchcraft Through the Ages (1922/107 m/Benjamin Christensen)
(2:00 AM) (suspense) Diabolique (1955/117 m/Henri-Georges Clouzot)
(4:15 AM) (horror) Eyes Without a Face (1959/90 m/Georges Franju)
(6:00 AM) (suspense) The Beast with Five Fingers (1946/88 m/Robert Florey)
(7:45 AM) (adventure) Mara Maru (1952/98 m/Gordon Douglas)
(9:30 AM) (drama) They Won't Believe Me (1947/80 m/Irving Pichel)
(11:15 AM) (suspense) Where Danger Lives (1950/80 m/John Farrow)
(1:00 PM) (suspense) Fingers at the Window (1942/81 m/Charles Lederer)
(2:30 PM) (suspense) Footsteps in the Dark (1941/96 m/Lloyd Bacon)
(4:15 PM) (suspense) Kill or Cure (1962/88 m/George Pollock)
(6:00 PM) (comedy) The Gazebo (1960/102m/George Marshall)
(8:00 PM) (horror) Nothing But the Night (1972/91 m/Peter Sasdy)
(9:45 PM) (horror) Madhouse (1974/91 m/James Clark)
(11:30 PM) (horror) From Beyond the Grave (1973/98 m/Kevin Connor)
Tuesday, October 27, 2020
(1:30 AM) (horror) Scream and Scream Again (1970/95 m/Gordon Hessler)
(3:15 AM) (premiere) The Satanic Rites of Dracula (1973/88 m/Alan Gibson)
(4:45 AM) (horror) Dracula A.D. 1972 (1972/96 m/Alan Gibson)
(6:30 AM) (western) Somewhere In Sonora (1933/58 m/Mack V. Wright)
(7:45 AM) (western) Along the Rio Grande (1941/64 m/Edward Killy)
(9:00 AM) (western) Valley of the Sun (1942/78 m/George Marshall)
(10:30 AM) (western) Sagebrush Trail (1933/53 m/Armand Schaefer)
(11:30 AM) (western) Devil's Canyon (1953/92 m/Alfred Werker)
(1:15 PM) (western) The Hired Gun (1957/64 m/Ray Nazarro)
(2:30 PM) (premiere) Black Patch (1957/82 m/Allen H. Miner)
(4:00 PM) (western) Virginia City (1940/121 m/Michael Curtiz)
(6:15 PM) (western) Escape From Fort Bravo (1953/98 m/John Sturges)
Wednesday, October 28, 2020
(12:15 AM) (comedy) Girlfriends (1978/88 m/Claudia Weill)
(2:00 AM) (drama) The Connection (1962/103 m/Shirley Clarke)
(4:00 AM) (comedy) Lost In Yonkers (1993/114 m/Martha Coolidge)
(10:00 AM) (drama) Winter Meeting (1948/104 m/Bretaigne Windust)
(12:00 PM) (romance) I Know Where I'm Going (1945/92 m/Michael Powell)
(1:45 PM) (romance) The Enchanted Cottage (1945/92 m/John Cromwell)
(3:30 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy)
(6:00 PM) (romance) Desire Me (1947/91 m/George Cukor)
(8:00 PM) (drama) The Best Man (1964/102 m/Franklin J. Schaffner)
(10:00 PM) (drama) State of the Union (1948/123 m/Frank Capra)
Thursday, October 29, 2020
(12:15 AM) (comedy) The Great McGinty (1940/82 m/Preston Sturges)
(2:00 AM) (drama) The Candidate (1972/110 m/Michael Ritchie)
(4:00 AM) (drama) All the King's Men (1949/110 m/Robert Rossen)
(6:00 AM) (western) Haunted Gold (1932/58 m/Mack V. Wright)
(7:00 AM) (horror) The Devil-Doll (1936/78 m/Tod Browning)
(8:30 AM) (suspense) Before Dawn (1933/61 m/Irving Pichel)
(9:45 AM) (comedy) Man Alive (1946/70 m/Ray Enright)
(11:00 AM) (horror) Tormented (1960/75 m/Bert I. Gordon)
(12:30 PM) (adventure) Angel on My Shoulder (1946/101 m/Archie Mayo)
(2:15 PM) (horror) Night Of Dark Shadows (1971/94 m/Dan Curtis)
(4:00 PM) (horror) Indestructible Man (1956/71 m/Jack Pollexfen)
(5:15 PM) (horror) From Hell It Came (1957/71 m/Johnny Greenwald)
(6:30 PM) (horror) Death Curse of Tartu (1966/88 m/William Grefé)
(8:00 PM) (western) Winchester '73 (1950/92 m/Anthony Mann)
(10:00 PM) (western) She Wore a Yellow Ribbon (1949/104 m/John Ford)
Friday, October 30, 2020
(12:00 AM) (documentary) Primary (1960/53 m/Robert Drew)
(1:15 AM) (documentary) Crisis (1963/53 m/Robert Drew)
(2:15 AM) (premiere) Dos Monjes (1934//Juan Bustillo Oro)
(4:00 AM) (drama) Of Mice and Men (1939/107m/Lewis Milestone)
(6:00 AM) (documentary) MGM Parade Show #5 (1955/26 m/?)
(6:30 AM) (horror) Doctor X (1932/76 m/Michael Curtiz)
(8:00 AM) (horror) The Mask Of Fu Manchu (1932/68 m/Charles Brabin)
(9:30 AM) (horror) The Most Dangerous Game (1932/63 m/Ernest B. Schoedsack)
(10:45 AM) (horror) Island of Lost Souls (1932/70 m/Erle C. Kenton)
(12:00 PM) (horror) White Zombie (1932/67 m/Victor Halperin)
(1:30 PM) (horror) The Vampire Bat (1933/63 m/Frank Strayer)
(2:45 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz)
(4:15 PM) (horror) Mad Love (1935/68 m/Karl Freund)
(5:30 PM) (horror) The Walking Dead (1936/65 m/Michael Curtiz)
(6:45 PM) (horror) The Return of Doctor X (1939/62 m/Vincent Sherman)
(8:00 PM) (horror) Burn, Witch, Burn! (1962/89 m/Sidney Hayers)
(9:45 PM) (horror) The Four Skulls of Jonathan Drake (1959/70 m/Edward L. Cahn)
(11:00 PM) (horror) The Devil's Bride (1968/96 m/Terence Fisher)
Saturday, October 31, 2020
(12:45 AM) (horror) The Conqueror Worm (1968/87 m/Michael Reeves)
(5:15 AM) (short) The Distant Drummer: Flowers of Darkness (1972/22 m/William Templeton)
(5:15 AM) (short) Movie Trailer (1950/16 m/?)
(6:00 AM) (horror) Freaks (1932/62 m/Tod Browning)
(7:15 AM) (horror) Dr. Jekyll and Mr. Hyde (1932/96 m/Rouben Mamoulian)
(9:00 AM) (horror) House of Wax (1953/88 m/Andre deToth)
(10:45 AM) (horror) Children of the Damned (1964/90 m/Anton M. Leader)
(12:30 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy)
(2:45 PM) (drama) The Picture of Dorian Gray (1945/110 m/Albert Lewin)
(4:45 PM) (horror) The Wolf Man (1941/70 m/George Waggner)
(6:00 PM) (horror) The Haunting (1963/112 m/Robert Wise)
(8:00 PM) (comedy) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964/95 m/Stanley Kubrick) .
(10:00 PM) (horror) Them! (1954/92 m/Gordon Douglas)
(12:00 AM) (horror) The Seventh Victim (1943/71 m/Mark Robson)
(1:30 AM) (horror) I Walked With A Zombie (1943/69 m/Jacques Tourneur)
(3:00 AM) (horror) The Body Snatcher (1945/78 m/Robert Wise)
(4:30 AM) (suspense) The Leopard Man (1943/66 m/Jacques Tourneur)
submitted by tombstoneshadows28 to horror [link] [comments]

Roderick Porter - Baby (feat. Coasting) (ig: @roderick ... 8 Things To Never Do In A Casino! - YouTube PORTER × CASIO G-SHOCK 85th Special Edition - YouTube 40 minutes from the work of Kitchen Porter - YouTube

Casino Porter Resume Examples. Casino Porters are responsible for cleaning operations in a casino. Typical job activities seen on a Casino Porter resume sample are ensuring guest service, handling general cleaning, discarding trash, cleaning slot machines and table games, sanitizing restrooms, adhering to casino regulations, and replenishing supplies. Casino Porter’s Five Forces Analysis. This section analyses Casino using each of the five forces of Porter’s model. Threat of New Entrants. The economies of scale is fairly difficult to achieve in the industry in which Casino operates. This makes it easier for those producing large capacitates to have a cost advantage. It also makes production costlier for new entrants. This makes the ... The mobile casino has taken the concept of personalized gaming to a whole new Casino Porter Job Duties level. Now you can play on the go 24×7 regardless of where you are. All you need is a smartphone that gives you Internet access via 3G, 4G, LTE, or Wi-Fi. We have listed for you some of the top mobile casinos around. They are all compatible with the Android and iPhone mobile platforms, and ... [ポーター] PORTER CASINO カジノ 定期入れ パスケース 214-04622(ブラウン) posted with カエレバ Amazonで探す. 楽天市場で探す カジノシリーズの口コミ・評判. こんなゴツい財布を買うなんてどんな人たちだろう、と真剣に気になったので調べてみました。 なぜか好意的な意見が多いので、世の中は ... How much does a Casino Porter make? The national average salary for a Casino Porter is $27,113 in United States. Filter by location to see Casino Porter salaries in your area. Salary estimates are based on 14,325 salaries submitted anonymously to Glassdoor by Casino Porter employees. Casino Porter Career *A job as a Casino Porter falls under the broader career category of Janitors and Cleaners, Except Maids and Housekeeping Cleaners. The information on this page will generally apply to all careers in this category but may not specifically apply to this career title. Find Casino Porter jobs in Nevada. Search for full time or part time employment opportunities on Jobs2Careers. This means the casino will match your first deposit with 100% up to a Casino Porter Description maximum of £100. So, if you deposit £100 you will receive £100 extra in bonus money. Most first deposit bonuses comes with a minimum deposit requirement as well as a wagering requirement. Casino Porter Skills other table games offer higher Return to Player (RTP) percentages overall compared to stingier games like slots. We outline these figures in this guide for our top-rated casinos to help you pick the best places to play games that land you more money. Bonus. Fast Payouts ; Over 400 Casino Games; 24/7 Live Support; 39. January 7, 2018. Gamble Responsibly BeGambleAware.org. 8 ... A: A casino porter provides janitorial and maintenance services at a casino. Their responsibilities involve cleaning and maintaining all areas on the property, including the casino floor, hotel, bars, and bathrooms. Typical duties are to sweep the floors, clean toilets, wipe windows, and remove trash. A casino porter may also be responsible for ensuring that the inventory of cleaning products ...

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Roderick Porter - Baby (feat. Coasting) (ig: @roderick ...

Steve and Matt Bourie, from the American Casino Guide, discuss 8 things to never do in a casino. They explain why you should never do these eight things and,... Title says everything :) 吉田カバン創業85周年を記念し、CASIOの代名詞であるG-SHOCKとコラボレーションした「PORTER × CASIO G-SHOCK 85th Special Edition」を発売します。 Produced by Roderick Porter.Spotify: https://open.spotify.com/artist/7Lcln0AXqNHMahrca8KVpy?si=uZ3lI_OYRmOMsLT6oHgMgAInstagram: https://www.instagram.com/rod...

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